Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
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Página 50
... criticism . He had an understandable horror of the volumes of writings that were dedicated and sent to him . He felt that he was beset by tenth - rate writers begging him for his praise . By contrast , from reading the notes to her , it ...
... criticism . He had an understandable horror of the volumes of writings that were dedicated and sent to him . He felt that he was beset by tenth - rate writers begging him for his praise . By contrast , from reading the notes to her , it ...
Página 56
... criticism in 1872 and in the year 1876 he wrote an informed appreciation of Francisque Sarcey's account of the company of the Théâtre Français . In between these two dates he despatched letters to The Nation which regularly took drama ...
... criticism in 1872 and in the year 1876 he wrote an informed appreciation of Francisque Sarcey's account of the company of the Théâtre Français . In between these two dates he despatched letters to The Nation which regularly took drama ...
Página 66
... criticism ; and the way for her to meet criticism was evidently at the start to be sure that her make - up had had the last touch and that she looked at least no worse than usual . ( NY 20 34 ) The pièce bien faite offered itself to ...
... criticism ; and the way for her to meet criticism was evidently at the start to be sure that her make - up had had the last touch and that she looked at least no worse than usual . ( NY 20 34 ) The pièce bien faite offered itself to ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
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Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York