Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
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Página 59
... elements , the ' scenic sequence ' and ' emotions and impulses ' are related to their medium . They are the elements which show in the theatre , as colour and draughtsmanship might on the canvas . According to James , in choosing to ...
... elements , the ' scenic sequence ' and ' emotions and impulses ' are related to their medium . They are the elements which show in the theatre , as colour and draughtsmanship might on the canvas . According to James , in choosing to ...
Página 60
... elements combined to ' flush out ' its action ( action in the Aristotelian sense ) . Matthew Arnold's Preface to his Poems of 1853 offers up a description of the spectator's imagination which resonates . it stood in his memory , as a ...
... elements combined to ' flush out ' its action ( action in the Aristotelian sense ) . Matthew Arnold's Preface to his Poems of 1853 offers up a description of the spectator's imagination which resonates . it stood in his memory , as a ...
Página 93
... elements of the novel that the Preface refers to as romance . These are the elements that Peter Brooks refers to as melodrama . He observes correctly that the moment when , in the novel , the Bellegardes close their front door to Newman ...
... elements of the novel that the Preface refers to as romance . These are the elements that Peter Brooks refers to as melodrama . He observes correctly that the moment when , in the novel , the Bellegardes close their front door to Newman ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
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Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York