Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
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Página 20
... face reacting . If the face is inquisitive at first and happy when seen again and if the object is , for example , a woman pushing a baby in a pram then we can deduce something about the character whose face it is we witness . The way ...
... face reacting . If the face is inquisitive at first and happy when seen again and if the object is , for example , a woman pushing a baby in a pram then we can deduce something about the character whose face it is we witness . The way ...
Página 32
... face - to - face , too involved to observe or to be impressed by any kind of reverent propriety attached to the location . Summersoft rather weakly fails to achieve both this sense of a voluminous location or to strike the audience with ...
... face - to - face , too involved to observe or to be impressed by any kind of reverent propriety attached to the location . Summersoft rather weakly fails to achieve both this sense of a voluminous location or to strike the audience with ...
Página 148
... face offered him was the convulsed face ... Rose literally glared at him ; she stood there with her two hands on her heaving breast . . . He went to her with compassion and tenderness ... Rose dropped , as he came , into a chair ; she ...
... face offered him was the convulsed face ... Rose literally glared at him ; she stood there with her two hands on her heaving breast . . . He went to her with compassion and tenderness ... Rose dropped , as he came , into a chair ; she ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
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Outras edições - Ver tudo
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York