Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
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... fear , jealousy and the rest , intelligent and careful behaviour 14 Martha Nussbaum , ' James's The Golden Bowl and Literature as Moral Philosophy ' , in her Love's Knowledge ( Oxford : Oxford University Press , 1992 ) , pp . 125-48 , p ...
... fear , jealousy and the rest , intelligent and careful behaviour 14 Martha Nussbaum , ' James's The Golden Bowl and Literature as Moral Philosophy ' , in her Love's Knowledge ( Oxford : Oxford University Press , 1992 ) , pp . 125-48 , p ...
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... fear ) , and also note that Kate seeks to reinstate their love by trying to preserve this distance between them , and that this distance widens after Owen's challenge to the saloon . Kate ends up ' thrown to her distance ' as if her ...
... fear ) , and also note that Kate seeks to reinstate their love by trying to preserve this distance between them , and that this distance widens after Owen's challenge to the saloon . Kate ends up ' thrown to her distance ' as if her ...
Página 46
... fear she had heard their talk ; only she hovered there as with conscious eyes and some added advantage . Then , indeed , with small delay , her friend sufficiently saw [ . . . ] It seemed to pass between them in fine without a word ...
... fear she had heard their talk ; only she hovered there as with conscious eyes and some added advantage . Then , indeed , with small delay , her friend sufficiently saw [ . . . ] It seemed to pass between them in fine without a word ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
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Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York