Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
No interior do livro
Resultados 1-3 de 37
Página 13
... give himself - he even certainly would ; but that was his own affair , and his blunders , his innocence , only added ... gives in to this world , when the boundary she has established between herself and it is transgressed : 18 Here and ...
... give himself - he even certainly would ; but that was his own affair , and his blunders , his innocence , only added ... gives in to this world , when the boundary she has established between herself and it is transgressed : 18 Here and ...
Página 27
... give an account , willy - nilly , of its protagonists ' thoughts . The novels which give us the thoughts of Christopher Newman , Winterbourne and Isabel Archer all locate themselves , at one time or another , inside the heads of their ...
... give an account , willy - nilly , of its protagonists ' thoughts . The novels which give us the thoughts of Christopher Newman , Winterbourne and Isabel Archer all locate themselves , at one time or another , inside the heads of their ...
Página 100
... give a real 50 ! ) 5 As well as emphasising Barker's realism this reference to his theatre is an accolade from James because he differentiated between the great theatre of Paris and the meagre theatre of London on the grounds that the ...
... give a real 50 ! ) 5 As well as emphasising Barker's realism this reference to his theatre is an accolade from James because he differentiated between the great theatre of Paris and the meagre theatre of London on the grounds that the ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
6 outras secções não apresentadas
Outras edições - Ver tudo
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York