Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
No interior do livro
Resultados 1-3 de 21
Página 57
... remarks is of a perspicacious , knowledgeable and confident writer on all subjects theatrical . That he could make such remarks with such confidence is a consequence of his belief that ' all art is supposed to be one ' . It meant that ...
... remarks is of a perspicacious , knowledgeable and confident writer on all subjects theatrical . That he could make such remarks with such confidence is a consequence of his belief that ' all art is supposed to be one ' . It meant that ...
Página 78
... remarks come in this examination of sensation melodrama's ' reconstruction of gender roles ' : sensation melodrama no longer demands that the inner reality of respectable men and women match their outward behavior . Given the right ...
... remarks come in this examination of sensation melodrama's ' reconstruction of gender roles ' : sensation melodrama no longer demands that the inner reality of respectable men and women match their outward behavior . Given the right ...
Página 98
... remarks stand not so much as directions that embody the play but as interpretations of its dialogue and , indeed , they focus upon gestures so specifically as to suggest the scrutiny available to the film camera rather than the theatre ...
... remarks stand not so much as directions that embody the play but as interpretations of its dialogue and , indeed , they focus upon gestures so specifically as to suggest the scrutiny available to the film camera rather than the theatre ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
6 outras secções não apresentadas
Outras edições - Ver tudo
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York