Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
No interior do livro
Resultados 1-3 de 53
Página 74
... story ( ' garden ' and ' eternity ' ) quite satisfies Stanton's requirement for ' a long story ' and is more than a little ironic if we are to believe James's claim that he mastered the formula . It also identifies the character as a ...
... story ( ' garden ' and ' eternity ' ) quite satisfies Stanton's requirement for ' a long story ' and is more than a little ironic if we are to believe James's claim that he mastered the formula . It also identifies the character as a ...
Página 139
... stories of the period became plays we can consider more of the story work , the short projects that became longer novels as well as the mass of short - stories , from this point of view . As a light in which to read novels like The ...
... stories of the period became plays we can consider more of the story work , the short projects that became longer novels as well as the mass of short - stories , from this point of view . As a light in which to read novels like The ...
Página 149
... story of The Other House , however . There are techniques adopted from the stage that worked so well within the novel medium that they remained in James's fiction . The exaggerated gestures and the wails and the sighs that have elicited ...
... story of The Other House , however . There are techniques adopted from the stage that worked so well within the novel medium that they remained in James's fiction . The exaggerated gestures and the wails and the sighs that have elicited ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
6 outras secções não apresentadas
Outras edições - Ver tudo
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York