Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
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... theatrical environment and the theatrical environment of the European mainland . The texts that I have chosen as the chief instances within this history are The Spoils of Poynton and The Other House . A full analysis of the theatrical ...
... theatrical environment and the theatrical environment of the European mainland . The texts that I have chosen as the chief instances within this history are The Spoils of Poynton and The Other House . A full analysis of the theatrical ...
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... theatrical form that refuses to acknowledge the presence of the audience . James was one of the very few Londoners alert enough to avant - garde drama to be in the audience when Antoine's Théâtre Libre visited the capital in 1889. It ...
... theatrical form that refuses to acknowledge the presence of the audience . James was one of the very few Londoners alert enough to avant - garde drama to be in the audience when Antoine's Théâtre Libre visited the capital in 1889. It ...
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... theatrical meditations , as theatrical scenarios developed in a story form restricted by theatrical conventions ( The Solution was adapted into Disengaged in 1891/2 ) . 15 Hence it was the aggressive reception , in the form of both ...
... theatrical meditations , as theatrical scenarios developed in a story form restricted by theatrical conventions ( The Solution was adapted into Disengaged in 1891/2 ) . 15 Hence it was the aggressive reception , in the form of both ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
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Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York