T is almost needless for an editor to remind the reader, that much cannot be said in the way of introduction to a section which is headed "Miscellaneous." It may be inferred that the compositions given under such a heading do not treat so exclusively of one subject-have not such special points of character, as to mark them, at once, for classification under particular heads; but let it not be therefore supposed that, like Pope's women, they "Have no character at all." Far from it, as the examples given will sufficiently prove. Our miscellany is not "a mixed party"-that thing which is not considered respectable, and at which everybody agrees nobody should appear. By no means: it has variety, it is true, but no portion of the company need be ashamed to mix with the other, though they be not all of the same class, or equally high in rank. Neither is this last section a beating-up of raw recruits to fill our columns:-on the contrary, here will be found some of the choicest of our levies; and among these I will venture to particularize Mr. Ferguson's celebrated ode, "The Forging of the Anchor," which is, without doubt, one of the finest things in the English language. In writing the introduction to the last section of this book, I feel as if I were parting from a dear old acquaintance. The work became, as I have said in the preface, a labour of love as it progressed; and in the calm of some rich summer sunset, which might not inaptly be likened to the golden glories that hang round the old minstrelsy of my native land, or by the winter fire of my little library, it has been my companion for more than a year, and in such companionship many were the thoughtful pleasant hours. If it be not all it ought to be, I can only blame my incapacity; for I candidly confess I have not spared either time or toil to make it worthy of the object I had in view:- an honourable testimonial to THE GENIUS OF IRELAND. THE FORESTER'S COMPLAINT. SAMUEL FERGUSON, M.R.I.A. and The post of honour in this section is Mr. Ferguson's;-his verses lead the van; here he appears, not in a translation, but an original poem. An expression of admiration for his genius in general, and an acknowledgment of indebtedness to him, will be found appended to his noble ode, "The Forging of the Anchor," p. 312. THROUGH Our wild wood-walks here Sunbright and shady, Free as the forest deer E'er to see Beauty so shining ; Have I been pining! In our blithe sports' debates I, of my merry mates, Foremost was ever; Skilfullest with my flute, Leading the maidens Heark'ning by moonlight mute To its sweet cadence; Tripping together- Beauty so shining; Ever since, hourly, Have I been pining! Loud now my comrades laugh Broadsword and quarter-staff-- I saw a red cloud in the west, Heaven shield the youth that she loves best The door flings wide! loud moans the gale, It is, it is the Banshee's wail!* Ululah! Ululah! The day is past! the night is dark! The waves are mounting round his bark. The guests sit round the bridal bed, But they sit by the dead man's head, A fearful call! a sudden doom! Bridal and funeral. Ululah! Ululah! A youth to Kilfiehera's † ta'en, That never will return again. * The Banshee (bean-sighe), she-fairy, or woman-fairy, is a spiritual attendant on families of ancient Irish descent, only, and her wail prognosticates the death of some one of the family. Mr. Crofton Croker, in his "Specimens of the Keen of the South of Ireland," printed for the Percy Society, gives some verses, translated from the Irish, illustrative of the subject. "The prosperous Saxons Were seized with affright, For there a shrill voice At the door of each hall "At Dingle the merchants In terror forsook Their ships and their business; They trembled and shook. The last verse is quoted, as Mr. Croker informs us, by Dr. O'Brien, in his Irish Dictionary, "to show that the Banshee is solely a spiritual aristocratic appendage." The verses are from a Keen on Maurice Fitzgerald, Knight of Kerry. The name of a churchyard near Kilkee. |