Lost in Space: Geographies of Science FictionRob Kitchin, James Kneale Bloomsbury Academic, 30/04/2002 - 211 páginas Science fiction--one of the most popular literary, cinematic and television genres--has received increasing academic attention in recent years. For philosophers, critical theorists and others it opens up a space in which the here-and-now can be made strange or remade; where virtual reality and cyborg are no longer gimmicks or predictions, but new spaces and subjects.Lost in Space brings together an international collection of authors to explore the diverse spatialities and geographies of space. A diverse range of themes are examined--from geographical and sociological imaginations to nature, scale, geopolitics, modernity, time, identity, the body, power relations and the representation of space.Drawing on a range of theoretical approaches, the essays explore the writings of a broad selection of SF writers and films, including J. G. Ballard, Octavia Butler, Philip K. Dick, Frank Herbert, William Gibson, Marge Piercy, Kim Stanley Robinson, Neal Stephenson; the films include Aliens, Bladerunner, Dark City, The Fly, The Invisible Man and Metropolis.Contributors: Stuart C. Aitken, Nick Bingham, David Clarke, Marcus Doel, Sheila Hones, Shaun Huston, Michelle Kendrick, Paul Kingsbury, Michael W. Longan, Barbar J. Morehouse, Timothy Oakes, Jon Taylor Barney Warf |
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Página 78
... male assistance . Like Nili , the cyborg , Yod , also occupies a border zone , a place in between masculine and feminine , by virtue of embodying both male and female attri- butes . In his case , however , he began as an engineered ...
... male assistance . Like Nili , the cyborg , Yod , also occupies a border zone , a place in between masculine and feminine , by virtue of embodying both male and female attri- butes . In his case , however , he began as an engineered ...
Página 110
... males and passive victimization amongst females ) is much too simple an explanation . She wonders how to explain the appeal to a large male audience of a film genre that invariably features a female victim - hero . She characterizes ...
... males and passive victimization amongst females ) is much too simple an explanation . She wonders how to explain the appeal to a large male audience of a film genre that invariably features a female victim - hero . She characterizes ...
Página 122
... male critics celebrate auteurs like these for their complexity and irony or for rising above their material ( Thornham 1999 : 9 ) . Sharon Smith ( 1972 : 21 ) called auteur theory ' the most incredible of all male fantasies ' . I am ...
... male critics celebrate auteurs like these for their complexity and irony or for rising above their material ( Thornham 1999 : 9 ) . Sharon Smith ( 1972 : 21 ) called auteur theory ' the most incredible of all male fantasies ' . I am ...
Índice
Lost in space | 1 |
alternative histories contingent geographies | 17 |
Geographys conquest of history in The Diamond Age | 39 |
Direitos de autor | |
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Outras edições - Ver tudo
Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Pré-visualização limitada - 2005 |
Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Pré-visualização limitada - 2005 |
Lost in Space: Geographies of Science Fiction Rob Kitchin,James Kneale Pré-visualização indisponível - 2002 |
Palavras e frases frequentes
alien alternative history argues Armitt Ballard become Blade Runner Blue Mars bodily body Bookchin characters China cinema constructed contingency create critical cultural cyberpunk cyberspace cyborg Dark City Diamond Age discourse Doel Drummers environment example explore fantasy feminist film-making Frankenstein future gender genre geography Gibson's Glop Hackworth human identity imagination Invisible J. G. Ballard landscape live London machine Mars Mars trilogy metaphor metaphysics metaphysics of presence Metaverse Miranda modern myth narrative Nell's neo-Victorians Nili novel past pataphysical phyles physics Piercy Piercy's planet political popular possible postmodern present Primer produce protagonists reader reading realism reality representation Robinson Routledge scene science fiction films sense sexual SF horror Shira Snow Crash social relations society space spatial Stephenson 1996a story structure suggest terraforming textual theory things third nature Tikva tion transformation ultimately University Press urban writing York