The Complete Works of William Shakespeare, Volume 5Harper& brothers, 1907 |
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Página xiv
... and Benedict . The gentle Hero , the credulous Claudio , the villainous Don John , and the inimitably muddle - headed Dogberry and Verges play their parts in order that the verbal interchange between Beatrice [ xiv ] MUCH ADO ABOUT NOTHING.
... and Benedict . The gentle Hero , the credulous Claudio , the villainous Don John , and the inimitably muddle - headed Dogberry and Verges play their parts in order that the verbal interchange between Beatrice [ xiv ] MUCH ADO ABOUT NOTHING.
Página xv
... Hero by her maid and the imposition practised on the too easily convinced lover ; but in Carrington's trans- lation of the " Orlando Furioso " he had ready access to the pathetic story of Rinaldo and Ginevra . The differ- ences between ...
... Hero by her maid and the imposition practised on the too easily convinced lover ; but in Carrington's trans- lation of the " Orlando Furioso " he had ready access to the pathetic story of Rinaldo and Ginevra . The differ- ences between ...
Página xvi
... Hero and that of Fenecia . Messina is the scene of both stories , and in Bandello we find the personation of the heroine by her maid , the reluctant acceptance of the fact of un- chastity by the despairing lover , the rejection of the ...
... Hero and that of Fenecia . Messina is the scene of both stories , and in Bandello we find the personation of the heroine by her maid , the reluctant acceptance of the fact of un- chastity by the despairing lover , the rejection of the ...
Página xix
... Hero and the deception practised on Claudio evidently belonged to the common stock of inci- dent upon which the dramatists and story - tellers of the time drew at will ; that which belongs to Shakespeare is the very soul of the play ...
... Hero and the deception practised on Claudio evidently belonged to the common stock of inci- dent upon which the dramatists and story - tellers of the time drew at will ; that which belongs to Shakespeare is the very soul of the play ...
Página xx
... Hero is really a secondary figure and is as definitely subordinate to Beatrice as Claudio is to Bene- dict ; but the few strokes with which she is drawn reveal , with beautiful art , her purity , her simplicity , her womanly power to ...
... Hero is really a secondary figure and is as definitely subordinate to Beatrice as Claudio is to Bene- dict ; but the few strokes with which she is drawn reveal , with beautiful art , her purity , her simplicity , her womanly power to ...
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Palavras e frases frequentes
ADAM Audrey beard BEAT Beatrice BEAU BORA BORACHIO brother Celia CLAUD comedy cousin daughter Dogberry Don John DON PEDRO dost doth DUKE F Exeunt Exit eyes fair faith father Folios fool FOREST Enter forest of Arden foul FRIAR Ganymede give grace hand hath hear heart heigh-ho Hero hither honour horns humour infra Jaques lady LEON Leonato live look lord Love's Love's Labour's Lost lover MARG Margaret marriage marry master master constable means merry Messina never night Oliver Orlando Ovid Phebe play prithee Quarto reading Rosalind SCENE Shakespeare shepherd SIDNEY LEE Signior Benedick sing song speak story supra swear sweet tell thank thing thou art to-morrow tongue TOUCH Touchstone troth Twelfth Night VERG villain WATCH wear WILLIAM SHAKESPEARE wilt wise woman word young youth