The Sense of BeautyGeorge Santayana, poet, philosopher, and literary and cultural critic, was one of the key figures in classical western philosophy. He was a man before his time . . . before the popularization of naturalism, multiculturalism, philosophy as literature, and spirituality without being a religious believer. "The Sense of Beauty" is a primary source for the study of aesthetics. Critics have described it as a milestone in aesthetic theory. Santayana's writings are thematically full of the relationships between literature, art, religion, and philosophy. |
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Índice
1 | |
Part H The Materials of Beauty | 53 |
Sound | 68 |
Colour | 72 |
Part IT Expbbsuojt | 73 |
Materials surveyed | 76 |
Form | 77 |
There is a beauty of form | 82 |
Example of landscape | 138 |
Further dangers of tadeterminateaess | 142 |
The illusion of infinite perfection | 151 |
Organised nature the source of appercep tive forms | 152 |
Utility the principle of organization in nature | 155 |
The relation of utility to beauty | 157 |
Utility the principle of organization in the arte | 160 |
Form and adventitious oraamant | 168 |
Physiology of the perception of form | 86 |
Values of geometrical figures | 88 |
Symmetry | 91 |
Form the unity of a manifold | 100 |
Example of the stars | 103 |
Defects of pure multiplicity | 106 |
Esthetics of democracy | 110 |
Values of types and values of examples | 112 |
Origin of types | 116 |
The average modified in the direction of pleasure | 121 |
Are all things beautiful? | 126 |
Effects of indeterminate form | 131 |
Form in words | 192 |
The associative process | 198 |
JEsthetic value in the second term | 205 |
153 Cost as an element of effect | 211 |
The authority of morals over satieties | 218 |
Influence of the first term in the pleasing | 228 |
The liberation of self | 238 |
The comic | 245 |
63 Humour | 253 |
The stability of the ideal | 263 |
271 | |
Outras edições - Ver tudo
The Sense of Beauty: Being the Outline of Aesthetic Theory George Santayana Pré-visualização limitada - 1955 |
Palavras e frases frequentes
abstract activity actual aesthetic appeal apperception appreciation artist associations attention beauty becomes cause character charm colour common conceive conception consciousness constitute course definite delight determined direction distinction easily effect elements emotion equally essence evil example existence experience expression external fact fancy feel felt function give given happiness human idea ideal imagination important impressions individual infinite instance intelligence interest intrinsic judgments kind language less lines live material meaning ment merely mind moral nature never object observation organ origin ourselves pain particular passion perceived perception perfection perhaps person pleasure positive possible practical present principle produce reality reason relation remain seems seen sensation sense sensuous soul sound stimulation sublime suggestion taste theory things thought tion truth turn unity utility vague various vision whole
Passagens conhecidas
Página 18 - ... be noted, its relations would be observed, its recurrence might even be expected ; but all this would happen without a shadow of desire, of pleasure, or of regret. No event would be repulsive, no situation terrible. We might, in a word, have a world of idea without a world of will. In this case, as completely as if consciousness were absent altogether, all value and excellence would be gone. So that for the existence of good in any form it is not merely consciousness but emotional consciousness...