Snakes, in my heart-blood warm’d, that sting my heart ! Three Judasses, each one thrice worse than Judas ! Would they make peace ? terrible hell make war Upon their spotted souls for this offence ! * SCROOP. Sweet love, I see, changing his property, Turns to the sourest and most deadly hate :Again uncurse their souls; their peace is made With heads and not with hands: those whom you curse, Have felt the worst of death's destroying wound, And lie full low, grav'd in the hollow ground'. Aum. Is Bushy, Green, and the earl of Wiltshire, dead ? speak : terrible hell gravid-] The verb, to grave, is not peculiar to Shakspeare. So, in Gower, De Confessione Amantis, lib. iii. fol. 58 : “ Unto the hound, unto the raven, “ She was none otherwise graven." STEEVENS. 8 And that small model of the barren-earth,] He uses model for mould. That earth, which closing upon the body, takes its form. This interpretation the next line seems to authorize. Johnson. Perhaps, all that model, in the present instance, means, is the Which serves as paste and cover to our bones ?. sepulchral hillock of earth which ascertains the length and breadth of the body beneath it. In this sense it may be termed its model. STEEVENS. Shakspeare generally uses model, not for an exemplar, but for a thing made after a pattern. The King therefore means to say, that the earth placed upon the body assumes its form. So, in a former scene of this play: thou see'st thy wretched brother die, “ Who was the model of thy father's life.” See vol. x. p. 440, n. 2. Model , however, may be used for mould. See Minsheu's Dict. in v. MALONE. Perhaps, a small model means, a small portion. "Modle (says Cockeram,) is a part of one's self.” BOSWELL. 9 Which serves as paste, &c.] A metaphor, not of the most sublime kind, taken from a pie. Johnson. the ghosts they have DEPOS'D;] Such is the reading of all the old copies. The modern editors, in the room of have depos’d, substituted dispossess'd. Steevens. there the anticK sits,] Here is an allusion to the antick or fool of old farces, whose chief part is to deride and disturb the graver and more splendid personages. JOHNSON If there be any such allusion intended, it is to the old Vice, who, indeed, appears to have been such a character as Dr. Johnson describes. The Fool was rather introduced to be laughed at. Ritson.. So, in The First Part of King Henry VI. : “ Thou antick death, which laugh’st us here to scorn!” STEEVENS. It is not impossible that Shakspeare borrowed this idea from one of the cuts of that most exquisite work, called Imagines Mortis, commonly ascribed to the pencil of Holbein, but without any authority. See the seventh print. Douce. 2 To monarchize, be fear'd, and kill with looks; woes * Aum. My father hath a power, enquire of him ; broke, I come * So quartos : folio, ne'er wail their present woes. 4 - death destroying death ;] That is, to die fighting, is to return the evil that we suffer, to destroy the destroyers. I once read “ death defying death ; " but destroying is as well. Johnson. SCROOP. Men judge by the complexion of the sky The state and inclination of the day: So may you by my dull and heavy eye, My tongue hath but a heavier tale to say. I play the torturer, by small and small, To lengthen out the worst that must be spoken :Your uncle York hath join'd with Bolingbroke; And all your northern castles yielded up, And all your southern gentlemen in arms Upon his party. K. Rich. Thou hast said enough.Beshrew thee, cousin, which didst lead me forth [TO AUMERLE. Of that sweet way I was in to despair ! What say you now? What comfort have we now? By heaven, I'll hate him everlastingly, That bids me be of comfort' any more. Go, to Flint castle; there I'll pine away; A king, woe's slave, shall kingly woe obeyo. That power I have, discharge ; and let them go To ear the land ' that hath some hope to grow, For I have none:-Let no man speak again To alter this, for counsel is but vain. Aum. My liege, one word. 5 I'll hate him everlastingly, That bids me be of comfort --) This sentiment is drawn from nature. Nothing is more offensive to a mind convinced that its distress is without a remedy, and preparing to submit quietly to irresistible calamity, than these petty and conjectured comforts which unskilful officiousness thinks it virtue to administer. JOHNSON. 6 A king, woe's slave, shall kingly woe obey.] So, in King John, vol. xv. For grief is proud, and makes its owner stoop.” Boswell. 7 TO EAR the land -] i. e. to plough it. So, in All's Well that Ends Well : " He that ears my land, spares my team." STEEVENS, p. 263 : K. Rich. He does me double wrong, That wounds me with the flatteries of his tongue. Discharge my followers, let them hence ;-Away, From Richard's night to Bolingbroke's fair day. [Exeunt. SCENE III. Wales. A Plain before Flint Castle". Enter, with Drum and Colours, BOLINGBROKE and Forces; YORK, NORTHUMBERLAND, and Others, BOLING. So that by this intelligence we learn, The Welshmen are dispers’d; and Salisbury Is gone to meet the king, who lately landed, With some few private friends, upon this coast. North. The news is very fair and good, my lord; Richard, not far from thence, hath hid his head. YORK. It would beseem the lord Northumber land, To say—king Richard :-Alack the heavy day, When such a sacred king should hide his head! North. Your grace mistakes me '; only to be brief, Left I his title out. YORK. The time hath been, Would you have been so brief with him, he would Have been so brief with you, to shorten you, Flint Castle.] In our former edition I had called this scene the same with the preceding. That was at Barkloughly castle, on the coast where Richard landed; but Bolingbroke never marched further in Wales than to Flint. The interview between him and Richard was at the castle of Flint, where this scene should be said to lie, or rather in the camp of Bolingbroke before that castle."Go to Flint castle.” See above. STEEVENS. grace mistakes Me ;] The word-me, which is wanting in the old copies, was supplied by Sir T. Hanmer. SȚeevens, 7 8 Your |