The Raven and the Lark: Lost Children in Literature of the English RenaissanceBucknell University Press, 1985 - 228 páginas The lost child plot, which appears in the work of virtually every major author of the English Renaissance, is examined in this study of a wide variety of the literature of that period. |
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Página 9
... a Better Life in As You Like It and Antony and Cleopatra 107 108 117 131 133 143 A Manly Loss 158 13. Hamlet's Story ; or , The Child's Refusal to Man the Father 159 14. A World Within : Found Enclosure and Final Exposure.
... a Better Life in As You Like It and Antony and Cleopatra 107 108 117 131 133 143 A Manly Loss 158 13. Hamlet's Story ; or , The Child's Refusal to Man the Father 159 14. A World Within : Found Enclosure and Final Exposure.
Página 10
... King Lear 170 15. Becoming the Story in The Winter's Tale 178 16. Telling the Story in The Tempest 192 The Findings of Loss 202 Notes Bibliography Index 204 218 226 Acknowledgments I wish to thank those whose ideas and labors.
... King Lear 170 15. Becoming the Story in The Winter's Tale 178 16. Telling the Story in The Tempest 192 The Findings of Loss 202 Notes Bibliography Index 204 218 226 Acknowledgments I wish to thank those whose ideas and labors.
Página 13
... loss , as formulaic foundlings . Occasionally , they are reunited with their parents but do not produce children themselves . In this respect Christ is an analogous foundling . He finds his Heavenly Father but cannot marry . Despite the ...
... loss , as formulaic foundlings . Occasionally , they are reunited with their parents but do not produce children themselves . In this respect Christ is an analogous foundling . He finds his Heavenly Father but cannot marry . Despite the ...
Página 14
... loss . Otherwise the deserted infant might more appropriately be called a lostling . The appearance of such a child arouses in audiences a conditioned expectation for his recovery . The reader of a fairy tale or a novel by Dickens has a ...
... loss . Otherwise the deserted infant might more appropriately be called a lostling . The appearance of such a child arouses in audiences a conditioned expectation for his recovery . The reader of a fairy tale or a novel by Dickens has a ...
Página 18
... loss and joyous recovery— proved a vehicle for handling the ambivalence Kunzle describes . The writer using it could convey both the idealization of the child cir- cumscribed by certain philosophical and artistic dicta and his neglect ...
... loss and joyous recovery— proved a vehicle for handling the ambivalence Kunzle describes . The writer using it could convey both the idealization of the child cir- cumscribed by certain philosophical and artistic dicta and his neglect ...
Índice
13 | |
18 | |
27 | |
Finding and Losing Beaulté and Noblesse Adoption in Malorys Works | 40 |
Transformation in Sidneys Old Arcadia | 54 |
Spenserian Hesitation | 68 |
Two Irreconcilable Foundlings The Love Story and the Saint Story in Book 1 of The Faerie Queene | 70 |
Two Creations Succession and Generation in Books 3 through 5 of The Faerie Queene | 84 |
Earned Reprieve in The Comedy of Errors and Pericles | 133 |
The Dream of a Better Life in As You Like It and Antony and Cleopatra | 143 |
A Manly Loss | 158 |
Hamlets Story or The Childs Refusal to Man the Father | 159 |
A World Within Found Enclosure and Final Exposure in King Lear | 170 |
Becoming the Story in The Winters Tale | 178 |
Telling the Story in The Tempest | 192 |
The Findings of Loss | 202 |
Two Recreations Pastorellas Return and the Poets Emergence in Book 6 of The Faerie Queene | 96 |
Shakespearean Explorations | 107 |
Richard III and Genesis 4 | 108 |
Romeo Juliet and the Art of Naming Love | 117 |
A Womanly Discovery | 131 |
Notes | 204 |
Bibliography | 218 |
Index | 226 |
Outras edições - Ver tudo
The Raven and the Lark: Lost Children in Literature of the English Renaissance Barbara L. Estrin Visualização de excertos - 1985 |
Palavras e frases frequentes
adoptive interlude Adriana Amoret Antony Antony and Cleopatra Artegall Arthur becomes begins believe Britomart Cain Calidore canto characters Cleopatra Comedy of Errors Cordelia cycle death Demeter desire destiny dream Duessa dynasty earth earthly edited emerges Faerie Queene father fear Florizel flowers foundling plots foundling stories foundling theme future Genesis gods Hamlet Hermione heroes initial King King Lear Launcelot Le Morte d'Arthur Lear Leontes London lost child lovers Marina marriage Merlin Mordred mother Musidorus myth nature Old Arcadia once Ophelia origin Oxford parents past pastoral Pastorella Paulina Pellinor Perdita Pericles Persephone Philisides play poet Polixenes Princeton promise Prospero Pyrocles quest Red Cross Knight restoration Richard Richard III Romeo and Juliet Rosalind scene seeks sexual Shakespeare Shakespeare Our Contemporary Sidney's sonnet speech Spenser Strephon and Klaius Tempest thee thou tion transformation University Press unto Venus vision Winter's Tale
Passagens conhecidas
Página 197 - And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion as they, be kindlier mov'd than thou art ? Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part.
Página 31 - For the promise, that he should be the heir of the world, was not to Abraham, or to his seed, through the law, but through the righteousness of faith.
Página 110 - I, that am curtail'd of this fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinished, sent before my time : Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them...
Página 167 - Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times. And now how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how oft.
Página 22 - I am in presence either of father or mother, whether I speak, keep silence, sit, stand, or go, eat, drink, be merry or sad, be sewing, playing, dancing, or doing anything else, I must do it, as it were, in such weight, measure, and number, even so perfectly as God made the world...
Página 110 - Why, I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun And descant on mine own deformity: And therefore, since I cannot prove a lover. To entertain these fair well-spoken days, I am determined to prove a villain And hate the idle pleasures of these days.
Página 115 - I shall despair. There is no creature loves me; And, if I die, no soul will pity me : — Nay, wherefore should they ? since that I myself Find in myself no pity to myself.
Página 31 - And the LORD said unto him, This is the land which I sware unto Abraham, unto Isaac, and unto Jacob, saying, I will give it unto thy seed : I have caused thee to see it with thine eyes, but thou shalt not go over thither.
Página 29 - I am the Lord God of Abraham thy father, and the God of Isaac; the land whereon thou liest, to thee will I give it, and to thy seed; and thy seed shall be as the dust of the earth, and thou shalt spread abroad to the west, and to the east, and to the north, and to the south; and in thee and in thy seed shall all the families of the earth be blessed.
Referências a este livro
Reading Adoption: Family and Difference in Fiction and Drama Marianne Novy Pré-visualização limitada - 2005 |
An Index of Characters in Early Modern English Drama: Printed Plays, 1500-1660 Thomas L. Berger,William C. Bradford,Sidney L. Sondergard Pré-visualização indisponível - 1998 |