The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1854 |
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Página 22
... latter paragraph may be found adopted , with some alterations , in the Biographia Literaria , III . p . 374 ; but I have thought it better in this instance and some others , to run the chance of bringing a few passages twice over to the ...
... latter paragraph may be found adopted , with some alterations , in the Biographia Literaria , III . p . 374 ; but I have thought it better in this instance and some others , to run the chance of bringing a few passages twice over to the ...
Página 34
... latter prided themselves on their closer approximation to the ancient rules and ancient regularity -taking the theatre of Greece , or rather its dim reflection , the rhetorical tragedies of the poet Seneca , as a perfect ideal , without ...
... latter prided themselves on their closer approximation to the ancient rules and ancient regularity -taking the theatre of Greece , or rather its dim reflection , the rhetorical tragedies of the poet Seneca , as a perfect ideal , without ...
Página 36
... latter delights in interlacing , by a rainbow - like transfusion of hues , the one with the other . And here it will be necessary to say a few words on the stage and on stage - illusion . A theatre , in the widest sense of the word , is ...
... latter delights in interlacing , by a rainbow - like transfusion of hues , the one with the other . And here it will be necessary to say a few words on the stage and on stage - illusion . A theatre , in the widest sense of the word , is ...
Página 37
... latter , stage - scenery ( inasmuch as its principal end is not in or for itself , as is the case in a picture , but to be an assistance and means to an end out of itself ) , its very purpose is to produce as much illu- sion as its ...
... latter , stage - scenery ( inasmuch as its principal end is not in or for itself , as is the case in a picture , but to be an assistance and means to an end out of itself ) , its very purpose is to produce as much illu- sion as its ...
Página 44
... latter half of the reign of Louis XIV . to that of Bonaparte , compared with the preceding philosophy and poetry even of Frenchmen themselves . The second form , or more properly , perhaps , another distinct cause , of this diseased ...
... latter half of the reign of Louis XIV . to that of Bonaparte , compared with the preceding philosophy and poetry even of Frenchmen themselves . The second form , or more properly , perhaps , another distinct cause , of this diseased ...
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The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Visualização integral - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Visualização integral - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Visualização integral - 1853 |
Palavras e frases frequentes
admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama effect especially excellent excitement express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment Juliet king language latter Lear Lecture less Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton's whole words writers
Passagens conhecidas
Página 120 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Página 81 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Página 172 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Página 114 - tis not so deep as a well, nor so wide as a church-door ; but 'tis enough, 'twill serve : ask for me tomorrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Página 105 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...
Página 363 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known And that imperial palace whence he came. Behold the Child among his newborn blisses, A six years
Página 163 - That we would do, We should do when we would, for this 'would' changes, And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing.
Página 22 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
Página 102 - So soon as that spare Cassius. He reads much; He is a great observer and he looks Quite through the deeds of men: he loves no plays, As thou dost, Antony; he hears no music...
Página 55 - The form is mechanic, when on any given material we impress a pre-determined form, not necessarily arising out of the properties of the material; — as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate; it shapes, as it developes, itself from within, and the fulness of its development is one and the same with the perfection of its outward form.