The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, Volume 4Harper & Brothers, 1854 |
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Página xi
... contents of the following pages — the Editor commits the reliques of a great man to the indulgent considera- tion of the Public . Lincoln's Inn , August 11 , 1836 . L'ENVOY . He was one who with long and large PREFACE . xi.
... contents of the following pages — the Editor commits the reliques of a great man to the indulgent considera- tion of the Public . Lincoln's Inn , August 11 , 1836 . L'ENVOY . He was one who with long and large PREFACE . xi.
Página 19
... tion ; but for the words , illustrations , & c . , I know almost as little as any one of the audience ( that is , those of any thing like the same education with myself ) what they will be five minutes be- fore the lecture begins . Such ...
... tion ; but for the words , illustrations , & c . , I know almost as little as any one of the audience ( that is , those of any thing like the same education with myself ) what they will be five minutes be- fore the lecture begins . Such ...
Página 20
... tion , which yet we do not call poems , there must be some addi- tional character by which poetry is not only divided from oppo- sites , but likewise distinguished from disparate , though similar , modes of composition . Now how is this ...
... tion , which yet we do not call poems , there must be some addi- tional character by which poetry is not only divided from oppo- sites , but likewise distinguished from disparate , though similar , modes of composition . Now how is this ...
Página 22
... original argument by breaking the connec- tion.-Ed. The Notes to this Essay , to which the numbers refer , are placed at the end of the volume . all things , genuine prophet and anticipator as he was 22 GREEK DRAMA . Greek Drama.
... original argument by breaking the connec- tion.-Ed. The Notes to this Essay , to which the numbers refer , are placed at the end of the volume . all things , genuine prophet and anticipator as he was 22 GREEK DRAMA . Greek Drama.
Página 23
... tion on the innermost essentials of the drama , abstracted from the forms of age or country . In another passage he even adds the reason , namely , that opposites illustrate each other's nature , and in their struggle draw forth the ...
... tion on the innermost essentials of the drama , abstracted from the forms of age or country . In another passage he even adds the reason , namely , that opposites illustrate each other's nature , and in their struggle draw forth the ...
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The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Visualização integral - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Visualização integral - 1854 |
The Complete Works of Samuel Taylor Coleridge: With an ..., Volume 4 Samuel Taylor Coleridge Visualização integral - 1853 |
Palavras e frases frequentes
admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Don Quixote drama effect especially excellent excitement express exquisite fancy feeling genius give Greek Hamlet hath Hence human humor Iago idea images imagination imitation individual instance intellect interest Jonson judgment Juliet king language latter Lear Lecture less Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe original Othello pantheism Paradise Lost passage passion perfect perhaps persons philosophic Plato play pleasure poem poet poetic poetry Polonius present principle produced reader reason religion Richard III Roman Romeo Romeo and Juliet S. T. COLERIDGE scene Schlegel sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed taste thing thou thought tion tragedy Trochee true truth understanding unity verse Warburton's whole words writers
Passagens conhecidas
Página 120 - This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea...
Página 81 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
Página 172 - It will have blood, they say ; blood will have blood : Stones have been known to move, and trees to speak ; Augurs, and understood relations, have By magot-pies, and choughs, and rooks, brought forth The secret'st man of blood.
Página 114 - tis not so deep as a well, nor so wide as a church-door ; but 'tis enough, 'twill serve : ask for me tomorrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Página 105 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers; shall we now Contaminate our fingers with base bribes? And sell the mighty space of our large...
Página 363 - Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind And no unworthy aim, The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known And that imperial palace whence he came. Behold the Child among his newborn blisses, A six years
Página 163 - That we would do, We should do when we would, for this 'would' changes, And hath abatements and delays as many As there are tongues, are hands, are accidents; And then this 'should' is like a spendthrift sigh, That hurts by easing.
Página 22 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
Página 102 - So soon as that spare Cassius. He reads much; He is a great observer and he looks Quite through the deeds of men: he loves no plays, As thou dost, Antony; he hears no music...
Página 55 - The form is mechanic, when on any given material we impress a pre-determined form, not necessarily arising out of the properties of the material; — as when to a mass of wet clay we give whatever shape we wish it to retain when hardened. The organic form, on the other hand, is innate; it shapes, as it developes, itself from within, and the fulness of its development is one and the same with the perfection of its outward form.