Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 páginas Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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Página xvi
... arms for the king at Nottingham in August 1642. After that the miserable populace had to choose its sides , and the country floundered into civil war . Skirmishes and battles were regularly fought thereafter throughout the country , and ...
... arms for the king at Nottingham in August 1642. After that the miserable populace had to choose its sides , and the country floundered into civil war . Skirmishes and battles were regularly fought thereafter throughout the country , and ...
Página xlvii
... arm of Clifford , who threatens them with their own entertainments and has Cade decapitated offstage within twenty lines . Thereafter the miseries of civil war are much more seriously depicted . The struggles between the houses of ...
... arm of Clifford , who threatens them with their own entertainments and has Cade decapitated offstage within twenty lines . Thereafter the miseries of civil war are much more seriously depicted . The struggles between the houses of ...
Página xlviii
... arms , foresees that in his treacherous treatment of her he has " planted / Much mischief for my self ; I gather'd all / The sweets , and now Thorns will spring up to tear me " ( V.iv.55-57 ) . Sowing and reaping ; in this respect the ...
... arms , foresees that in his treacherous treatment of her he has " planted / Much mischief for my self ; I gather'd all / The sweets , and now Thorns will spring up to tear me " ( V.iv.55-57 ) . Sowing and reaping ; in this respect the ...
Página lxxiii
... Arm " . She pleads for an end , but " I cannot do't " ; finally ten lines later , " I turn away " , he says ( III.ii.156– 80 ) . Through nearly twenty lines the speaking picture has been held of vulnerable innocence kneeling ...
... Arm " . She pleads for an end , but " I cannot do't " ; finally ten lines later , " I turn away " , he says ( III.ii.156– 80 ) . Through nearly twenty lines the speaking picture has been held of vulnerable innocence kneeling ...
Página 10
... Arms ; And Countrymen , my Loving Followers , Plead my Successive Title with your Swords : I am his first - born Son , who last Wore the Imperial Diadem of Rome . Then Let my Fathers Honours Live in me , Nor Wrong my Birth with this ...
... Arms ; And Countrymen , my Loving Followers , Plead my Successive Title with your Swords : I am his first - born Son , who last Wore the Imperial Diadem of Rome . Then Let my Fathers Honours Live in me , Nor Wrong my Birth with this ...
Índice
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
Outras edições - Ver tudo
Shakespeare Adaptations from the Restoration: Five Plays Barbara A. Murray Visualização de excertos - 2005 |
Shakespeare Adaptations from the Restoration: Five Plays Kristine Johanson Pré-visualização indisponível - 2005 |
Palavras e frases frequentes
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
Passagens conhecidas
Página 256 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Página 5 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
Página 196 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
Página 200 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
Página 479 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
Página 199 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
Página 265 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...