Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 páginas Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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Página xxiv
... standing regulaton that no play performed at one house should be acted at the other . 17 One can already see that there were various sorts of pressures on the patentees , however , to alter the plays for these changed times . There were ...
... standing regulaton that no play performed at one house should be acted at the other . 17 One can already see that there were various sorts of pressures on the patentees , however , to alter the plays for these changed times . There were ...
Página xxxiv
... stands over the supposed buried hoard in the garden ( in act V ) with " naked Sword " , reflecting on the wrongness of wounding innocent earth . The little boy's ploy , however , is going to lead to a means of exacting revenge on Aron ...
... stands over the supposed buried hoard in the garden ( in act V ) with " naked Sword " , reflecting on the wrongness of wounding innocent earth . The little boy's ploy , however , is going to lead to a means of exacting revenge on Aron ...
Página xli
... stand " at least in the third rank of our dramatic writers " . Of these early commentators , finally , Genest concluded that both " these alterations of Shakespeare are very bad " , although he picked out a few short passages to ...
... stand " at least in the third rank of our dramatic writers " . Of these early commentators , finally , Genest concluded that both " these alterations of Shakespeare are very bad " , although he picked out a few short passages to ...
Página xlix
... stands upon the peoples heads . ( V.v.49–55 ) The History of King Richard the Second whilst you press and I permit this Scorn ; What Plagues we heap on Children yet unborn . -Tate's Richard II , III.iv.129-30 It is likely that the next ...
... stands upon the peoples heads . ( V.v.49–55 ) The History of King Richard the Second whilst you press and I permit this Scorn ; What Plagues we heap on Children yet unborn . -Tate's Richard II , III.iv.129-30 It is likely that the next ...
Página lx
... standing of the heir to the throne , the Catholic James , Duke of York - in this respect the earlier anti - Catholic turbulence caused by the Popish Plot is closely bound up with the fierce anxieties engendered by the Exclusion Crisis ...
... standing of the heir to the throne , the Catholic James , Duke of York - in this respect the earlier anti - Catholic turbulence caused by the Popish Plot is closely bound up with the fierce anxieties engendered by the Exclusion Crisis ...
Índice
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
Outras edições - Ver tudo
Shakespeare Adaptations from the Restoration: Five Plays Barbara A. Murray Visualização de excertos - 2005 |
Shakespeare Adaptations from the Restoration: Five Plays Kristine Johanson Pré-visualização indisponível - 2005 |
Palavras e frases frequentes
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
Passagens conhecidas
Página 256 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Página 5 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
Página 196 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
Página 200 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
Página 479 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
Página 199 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
Página 265 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...