Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe, Volume 1Chapman Brothers, 1846 - 554 páginas |
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Página 2
... scenes followed each other in the same order as the events of the original , and were accompanied , wherever possible , by the very words of Holy Writ . They were consequently wholly devoid of proper dramatic action , while a decidedly ...
... scenes followed each other in the same order as the events of the original , and were accompanied , wherever possible , by the very words of Holy Writ . They were consequently wholly devoid of proper dramatic action , while a decidedly ...
Página 3
... scenes arranged in a series like the cantos of an epos , without any thing like transition or connection . The ... scene . Thereupon Lucifer takes possession of the throne , and calls upon the other angels to obey him ; while they ...
... scenes arranged in a series like the cantos of an epos , without any thing like transition or connection . The ... scene . Thereupon Lucifer takes possession of the throne , and calls upon the other angels to obey him ; while they ...
Página 4
... scene with aprons of fig- leaves ; when we read the coarse insults of Abel which are put into the mouth of Cain , and how Noah , after carrying his wife into the ark , is , after a long wrangling , greeted with a smart box on the ears ...
... scene with aprons of fig- leaves ; when we read the coarse insults of Abel which are put into the mouth of Cain , and how Noah , after carrying his wife into the ark , is , after a long wrangling , greeted with a smart box on the ears ...
Página 13
... scenes , for the most part comic , but destitute of every thing like complication of plot , yet boldly sketched , lively , and teeming with popular wit , directed to matters of public or domestic interest , or existing characters , man ...
... scenes , for the most part comic , but destitute of every thing like complication of plot , yet boldly sketched , lively , and teeming with popular wit , directed to matters of public or domestic interest , or existing characters , man ...
Página 14
... scenes , and ex- hibits the history of the two brothers in a dramatic form , which , considering its date , is tolerably perfect . The great difference between such religious dramas , and the old Mysteries , consisted in this , that in ...
... scenes , and ex- hibits the history of the two brothers in a dramatic form , which , considering its date , is tolerably perfect . The great difference between such religious dramas , and the old Mysteries , consisted in this , that in ...
Outras edições - Ver tudo
Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Visualização integral - 1846 |
Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Pré-visualização indisponível - 2015 |
Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe Alexander James William Morrison,Hermann Ulrici Pré-visualização indisponível - 2015 |
Palavras e frases frequentes
Accordingly action æsthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus criticism Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole Winter's Tale
Passagens conhecidas
Página 219 - tis not to come; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all : Since no man, of aught he leaves, knows, what is't to leave betimes ?
Página 88 - Tired with all these, for restful death I cry, As to behold desert a beggar born, And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplac'd, And maiden virtue rudely strumpeted, And right perfection wrongfully disgrac'd, And strength by limping sway disabled, And art made tongue-tied by authority, And folly, doctor-like, controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill.
Página 98 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand; And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 97 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace: Even so my sun one early morn did shine, With all triumphant splendour on my brow; But out! alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
Página 208 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Página 106 - And whether that my angel be turn'd fiend Suspect I may, yet not directly tell; But being both from me, both to each friend, I guess one angel in another's hell: Yet this shall I ne'er know, but live in doubt, Till my bad angel fire my good one out.
Página 98 - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
Página 96 - Past reason hated, as a swallowed bait, On purpose laid to make the taker mad; Mad in pursuit and in possession so; Had, having, and in quest to have, extreme; A bliss in proof, and proved, a very woe; Before, a joy proposed; behind, a dream.
Página 88 - Though I, once gone, to all the world must die : The earth can yield me but a common grave, "When you entombed in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read ; And tongues to be your being shall rehearse, When all the breathers of this world are dead ; You still shall live (such virtue hath my pen,) Where breath most breathes, even in the mouths of men.
Página 96 - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...