Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - 284 páginas "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Página 22
... issues that were clearly being avoided by myself and others in my area of specialization . For instance , one of my first longer publications was on the sublime . In response to a student question I referred to the introduction to my ...
... issues that were clearly being avoided by myself and others in my area of specialization . For instance , one of my first longer publications was on the sublime . In response to a student question I referred to the introduction to my ...
Página 24
... issue , the problem with essentialism and prescriptive criticism , was a topic of concern to me for a decade and resulted in my next book , Johnson , " Rasselas " and the Choice of Criticism ( 1989 ) .9 I discovered that during the 230 ...
... issue , the problem with essentialism and prescriptive criticism , was a topic of concern to me for a decade and resulted in my next book , Johnson , " Rasselas " and the Choice of Criticism ( 1989 ) .9 I discovered that during the 230 ...
Página 26
... issue , the fact that Rasselas at the end realizes that he can never obtain the choice of life does not mean that he ceases to wish for it , even to seek it . For Johnson , I believe , the impetus behind the " choice of life " quest is ...
... issue , the fact that Rasselas at the end realizes that he can never obtain the choice of life does not mean that he ceases to wish for it , even to seek it . For Johnson , I believe , the impetus behind the " choice of life " quest is ...
Página 27
... issues at many universities , particularly in the United States , my students use ideology as a term that focuses upon the ... issue arose for undergrad- uate associates in a consideration of how they were to present their ideological ...
... issues at many universities , particularly in the United States , my students use ideology as a term that focuses upon the ... issue arose for undergrad- uate associates in a consideration of how they were to present their ideological ...
Página 28
... issues in individual plays . My point was to stress to the undergraduate associates that although it is important to reveal your ideological assumptions to your students , it is equally important to make clear that criticism is not ...
... issues in individual plays . My point was to stress to the undergraduate associates that although it is important to reveal your ideological assumptions to your students , it is equally important to make clear that criticism is not ...
Índice
49 | |
70 | |
Critical Ideology in The Beaux and Belles Stratagem | 97 |
Critical Judgment in MacFlecknoe | 117 |
Ethical Agency in The Double Mistress | 137 |
History Genre and Ethics in The Life of Richard Savage | 162 |
Genre and Teleology The Faith of Criticism | 188 |
Literary History The Pastoral Elegy from Lycidas to the Present | 221 |
Pedagogical Postscript | 249 |
Notes | 265 |
Bibliography | 270 |
Index | 276 |
Outras edições - Ver tudo
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Visualização de excertos - 2002 |
Palavras e frases frequentes
Adonais alternative aristocratic artistic assertion attempt Auden Bandele beauty Beaux Behn believe Belle's Stratagem biography Brendry Burney chapter character classroom Cohen conception concern conclusion conventions culture death demonstrate Doricourt double mistress drama Dryden eighteenth century element ethical end Evelina explain extraliterary Farquhar Flecknoe genre analysis genre and ethics goal Guido Hannah Cowley Hogarth ideology Indamora individual interpretation involves Jaques Johnson Letitia Levinas Lindamira literary literature loco-descriptive love novel Lycidas MacFlecknoe marriage Martin metacritical Mode moral narrative Norton editors novel Oroonoko Oroonoko and Imoinda Orville Oxford pastoral elegy period plate play poem poet poetry political postmodern problem question Ralph Cohen Rawsley relationship responsibility Restoration comedy Richard Savage romance Rosalind Samuel Johnson satire Savage's scene Scriblerians seen sense Shadwell Shadwell's slaves story suggests teleology tradition tragedy Trefry understand University Press W. B. Yeats William Hogarth writing Yeats
Passagens conhecidas
Página 235 - Blind, old, and lonely, when his country's pride The priest, the slave, and the liberticide Trampled and mocked with many a loathed rite Of lust and blood; he went, unterrified, Into the gulf of death; but his clear Sprite Yet reigns o'er earth; the third among the sons of light.
Página 126 - ALL human things are subject to decay, And, when Fate summons, monarchs must obey. This Flecknoe found, who, like Augustus, young Was called to empire, and had governed long. In prose and verse was owned, without dispute, Through all the realms of Nonsense absolute.
Página 133 - In thy felonious heart though venom lies, It does but touch thy Irish pen, and dies. Thy genius calls thee not to purchase fame In keen iambics, but mild anagram. Leave writing plays, and choose for thy command Some peaceful province in acrostic land. There thou may'st wings display and altars raise, And torture one poor word ten thousand ways. Or, if thou wouldst thy different talents suit, Set thy own songs, and sing them to thy lute.
Página 167 - ... nothing will supply the want of prudence; and that negligence and irregularity, long continued, will make knowledge useless, wit ridiculous, and genius contemptible.
Página 224 - Thus sang the uncouth swain to the oaks and rills, While the still Morn went out with sandals gray ; He touched the tender stops of various quills, With eager thought warbling his Doric lay : And now the sun had stretched out all the hills, And now was dropt into the western bay ; At last he rose, and twitched his mantle blue ; To-morrow to fresh woods and pastures new.
Página 224 - Enow of such, as for their bellies' sake Creep and intrude and climb into the fold! Of other care they little reckoning make Than how to scramble at the shearers' feast, And shove away the worthy bidden guest; Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learned aught else the least That to the faithful herdman's art belongs!
Página 138 - A perfect judge will read each work of wit With the same spirit that its author writ ; Survey the whole, nor seek slight faults to find Where nature moves, and rapture warms the mind ; Nor lose, for that malignant dull delight, The generous pleasure to be charm'd with wit.
Página 244 - Time that is intolerant Of the brave and innocent, And indifferent in a week To a beautiful physique, Worships language and forgives 50 Everyone by whom it lives; Pardons cowardice, conceit, Lays its honours at their feet.
Página 167 - This relation will not be wholly without its use, if those, who languish under any part of his sufferings, shall be enabled to fortify their patience, by reflecting that they feel only those afflictions from which the abilities of Savage did not exempt him ; or...