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" French is indeed very properly adapted to their pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy people. The chorus in which that opera abounds, gives the parterre frequent opportunities of joining in concert... "
The Great Italian and French Composers - Página 124
por George Titus Ferris - 1878 - 291 páginas
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Critical Reflections on Poetry, Volume 1

abbé Dubos (Jean-Baptiste) - 1748 - 430 páginas
...PAIN TING. 379 nunciation and accent, as their whole opera won' derfully favours the genius of fuch a gay airy people, The chorus in which that opera...the parterre frequent opportunities of joining in (oncert with the Jl age. This inclination of the audience ta fing along with the [aftors, fo prevails...
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The Spectator. ...

1789 - 508 páginas
...pronunciation and accent, as their whole opera wonderfully favours the genius of fuch a gay airy people "j-. The Chorus in which that opera abounds, gives the parterre frequent opportunities of joining mconfort^. with the ftage. This inclination of the audience to fing along with the a&ors, fo prevails...
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Select British Classics, Volume 11

1803 - 434 páginas
...very properly adapted to their pronunciation and accent, as their -whole opera wonderfully favours the genius of such a gay airy people. The chorus in...I have sometimes known the performer on the stage do no more in a celebrated song, than the clerk of a parish-church, who serves only to raise the psalm,...
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The Spectator: In Eight Volumes. : Vol. I[-VIII].

1803 - 420 páginas
...indeed very properly adapted to their pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy people. The chorus in which that opera abounds givej^the parterre frequent opportunities of joining in concert with the stage. This inclination of...
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The British Essayists, Volume 6

Alexander Chalmers - 1808 - 416 páginas
...indeed very properly adapted to their pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy people. The chorus in which that opera abounds, gives the parierre frequent opportunities of joining in consort f with the stage. This inclination of the audience...
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The Spectator, Volume 1

Alexander Chalmers - 1810 - 394 páginas
...indeed very properly adapted to their pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy people. The chorus in...the parterre frequent opportunities of joining in consort* with the stage. This inclination of the audicnce to sing along with the actors, so prevails...
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The Spectator, Volume 1

Alexander Chalmers - 1810 - 412 páginas
...pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy pcople. The chorus in which that opera abounds, gives the parterre frequent opportunities of joining in consort* with the stage. This inclination of the audience to sing along with the actors, so prevails...
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The Spectator

Joseph Addison, Richard Hurd - 1811 - 504 páginas
...indeed very properly adapted to their pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy people. The chorus in...I have sometimes known the performer on the stage do no more in a celebrated song, than the clerk of a parish church, who serves only to raise the psalm,...
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The Works of the Right Honourable Joseph Addison, Volume 3

Joseph Addison - 1811 - 508 páginas
...indeed very properly adapted to their pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy* people. The chorus in which that I opera abounds, gives the parterre frequent opportunities of joining in concert with the stage. This...
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The Spectator [by J. Addison and others]: with sketches of the lives of the ...

Spectator The - 1816 - 348 páginas
...indeed very properly adapted to their pronunciation and accent, as their whole opera wonderfully favours the genius of such a gay airy people.* The chorus in which that opera abounds, gives the parterre t frequent opportunities of joining in concert with the stage. This inclination of the audience to...
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