Staging Early Modern Romance: Prose Fiction, Dramatic Romance, and ShakespeareMary Ellen Lamb, Valerie Wayne Routledge, 13/01/2009 - 267 páginas This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare’s late plays. Although Pericles, Cymbeline, Winter’s Tale, and The Tempest have long been characterized as "romances," their connections with the popular prose romances of their day and the dramatic romances that preceded them have frequently been overlooked. Constructed to explore those connections, this volume includes original essays that relate at least one prose or dramatic romance to an English play written from 1570 to 1630. The introduction explores the use of the term "dramatic romance" over several centuries and the commercial association between print culture, gender, and drama. Eight essays discuss Shakespeare’s plays; three more examine plays by Beaumont, Fletcher, and Massinger. Other authors treated at some length include Boccaccio, Christine de Pizan, Chaucer, Sidney, Greene, Lodge, and Wroth. Barbara Mowat’s afterword considers Shakespeare’s use of Greek romance. Written by foremost scholars of Shakespeare and early modern prose fiction, this book explores the vital cross-currents that occurred between narrative and dramatic forms of Greek, medieval, and early modern romance. |
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... discourse: the prose fictions that early moderns referred to as romances, the dramatic romances staged inEngland during the 1570s and 1580s, and Shakespeare's late plays, which werefirst called romances by Edward Dowden in 1877. Many of ...
... discourses includes Constance Relihan's (2004) articulation of connections between genderand geography to demonstrate how anxieties about violence againstwomen, or converselydomination by women,were projected onto fictions located inthe ...
... discourse staged in many earlymodern playsdid not diminish the empowerment potential for women spectators, who were, inthe words ofJean Howard, “licensed to look—and in a larger sense to judge what theysawand to exercise autonomy—in ...
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Índice
The Sources of Romance the Generation | |
Page and Stage 4 A Note Beyond Your Reach Prose Romances | |
STEVE MENTZ 5 Hamlet andEuordanus 91 | |
Reading the Book of the Self in Shakespeares | |
The Issue of the Corpus Christi Cycles | |
Cymbeline s Intertexts | |
John | |
Beaumont and Fletchers | |
12 | |
13 | |
Contributors | |
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Staging Early Modern Romance: Prose Fiction, Dramatic Romance, and Shakespeare Mary Ellen Lamb,Valerie Wayne Pré-visualização limitada - 2009 |
Staging Early Modern Romance: Prose Fiction, Dramatic Romance, and Shakespeare Mary Ellen Lamb,Valerie Wayne Pré-visualização indisponível - 2009 |
Staging Early Modern Romance: Prose Fiction, Dramatic Romance, and Shakespeare Mary Ellen Lamb,Valerie Wayne Pré-visualização indisponível - 2010 |