The History of English Soliloquy: Aeschylus to ShakespeareUniversity Press of America, 1985 - 139 páginas Provides a thorough survey of the history of the soliloquy, from the earliest forms found on pre-Biblical Canaanite tablets through the heights of Shakespeare. Shows how Elizabethan soliloquy evolved out of its ancient forerunners, and that Shakespeare dominates soliloquy. Of particular interest to students and scholars of language, drama and Shakespeare. |
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Página 11
... tone and topic he seems limitless , although this very versatility gives rise to occasional assessments like that of Gilbert Norwood on p . 4 of Plautus and Terence ( New York : 1932 ) : “ . . . the offence that puts Plautus outside the ...
... tone and topic he seems limitless , although this very versatility gives rise to occasional assessments like that of Gilbert Norwood on p . 4 of Plautus and Terence ( New York : 1932 ) : “ . . . the offence that puts Plautus outside the ...
Página 66
... tone of declamation render the word " bombast " not inaccurately descriptive of this soliloquy by Kyd . The opening line sets the Senecan tone pervading the segment , which is entirely representative of the complete speech . In the ...
... tone of declamation render the word " bombast " not inaccurately descriptive of this soliloquy by Kyd . The opening line sets the Senecan tone pervading the segment , which is entirely representative of the complete speech . In the ...
Página 111
... tone of the speech , a note of fear , Caliban's fear of being overheard , his fear of constant , invisible visitation by the omnipotent spirits of Prospero . “ Fright , ” “ set upon me , ” “ bite me , ' “ hiss , ” all are terms of ...
... tone of the speech , a note of fear , Caliban's fear of being overheard , his fear of constant , invisible visitation by the omnipotent spirits of Prospero . “ Fright , ” “ set upon me , ” “ bite me , ' “ hiss , ” all are terms of ...
Índice
The Mysteries | 25 |
Morality Drama | 45 |
Shakespearean Structures and Language | 99 |
Direitos de autor | |
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The History of English Soliloquy: Aeschylus to Shakespeare Lloyd A. Skiffington Visualização de excertos - 1985 |
Palavras e frases frequentes
Aaron action Aeschylus allegorical alliteration apostrophe audience Belial Caliban's century chapter character choragos chorus cited classical Clemen comedy comic conscience Counterfeit Countenance crown death declamation devils diction doth earlier early morality Elizabethan English soliloquy Envy Euripides evil example exemplifies fiend figurative Gobbo Grand Homily Greek Hamlet hath Heaven Henry Henry VI homiletic honor Iago iloquy imagery intermediate and late Jasper Heywood Juliet Juventus King lament language late moralities later Launcelot lines live London Lord Macbeth Magnificence medieval soliloquy metaphor Mini-homily monologue Morality Plays morality soliloquy mystery soliloquy opening personae Plautus plot exposition plot-action primitive prologue psychomachia rhetorical Richard Richard III role-action Roman Romeo Satan says scene Second Shepherds Seneca sermon Seven Against Thebes Shakespeare Shakespearean soliloquy sophistication Sophocles speaker speaks stage structural theatre thee Thespis thou Thyestes tion tone Tragedy types utterance vaunt Vice villain word-play words York yower
Referências a este livro
Adapting to the Stage: Theatre and the Work of Henry James Christopher Greenwood Visualização de excertos - 2000 |