Emerson, Romanticism, and Intuitive Reason: The Transatlantic "light of All Our Day"University of Missouri Press, 2005 - 555 páginas Emerson, Romanticism, and Intuitive Reason is a comparative study in transatlantic Romanticism, focusing on Emerson's part in the American dialogue with British Romanticism and, as filtered through Coleridge, German Idealist philosophy. The book's guiding theme is the concept of intuitive Reason, which Emerson derived from Coleridge's distinction between Understanding and Reason and which Emerson associated with that "light of all our day" in his favorite stanza of Wordsworth's "Ode: Intimations of Immortality." Intuitive Reason became the intellectual and emotional foundation of American Transcendentalism. That light radiated out to illuminate Emerson's life and work, as well as the complex and often covert relationship of a writer who, however fiercely "self-reliant" and "original," was deeply indebted to his transatlantic precursors. The debt is intellectual and personal. Emerson's supposed indifference to, or triumph over, repeated familial tragedy is often attributed to his Idealism--a complacent optimism that blinded him to any vision of the tragic. His "art of losing" may be better understood as a tribute to the "healing power," the consolation in distress, which Emerson considered Wordsworth's principal value. The second part of this book traces Emerson's struggle--with the help of the "benignant influence" shed by that "light of all our day"--to confront and overcome personal tragedy, to attain the equilibrium epitomized in Wordsworth's "Elegiac Stanzas": "Not without hope we suffer and we mourn." As a study in what has been called "the paradox of originality," the book should appeal to those interested in the Anglo-American Romantic tradition and the innovations of the individual talent--especially in the capacity of a writer such as Emerson not only to absorb his precursors but also to use them as a stimulus to his own creative power. |
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Página 394
... Emersonian . " Having placed the opening of American Romanticism's seminal text , Nature , in its larger , international Romantic context , looking back to Coleridge and Wordsworth and ahead to Nietzsche and Stevens , this chapter has ...
... Emersonian . " Having placed the opening of American Romanticism's seminal text , Nature , in its larger , international Romantic context , looking back to Coleridge and Wordsworth and ahead to Nietzsche and Stevens , this chapter has ...
Página 401
... Emersonian optimism in its experiential , Stoic , and Romantic contexts . No stranger to suffering , Emerson found his Freedom in Necessity , and much of his solace in the tempered affirmation ( “ Not without hope ... " ) of Wordsworth ...
... Emersonian optimism in its experiential , Stoic , and Romantic contexts . No stranger to suffering , Emerson found his Freedom in Necessity , and much of his solace in the tempered affirmation ( “ Not without hope ... " ) of Wordsworth ...
Página 405
... Emersonian " tears " nor Wordsworthian " Thoughts that do often lie too deep for tears " ( Intimations Ode , 204 ) ... Emersonian optimism , see AnnLouise Keating , " Renaming the Dark : Emerson's Optimism and the Abyss . " himself with ...
... Emersonian " tears " nor Wordsworthian " Thoughts that do often lie too deep for tears " ( Intimations Ode , 204 ) ... Emersonian optimism , see AnnLouise Keating , " Renaming the Dark : Emerson's Optimism and the Abyss . " himself with ...
Índice
Prologue | 1 |
The Critics and the Participants | 23 |
The Light of All Our Day | 46 |
Direitos de autor | |
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Emerson, Romanticism, and Intuitive Reason: The Transatlantic "light of All ... Patrick J. Keane Pré-visualização limitada - 2005 |
Palavras e frases frequentes
Aids to Reflection American Scholar assertion beauty Biographia Biographia Literaria Blake Bloom called Carlyle chapter cited Cole Coleridge and Wordsworth Coleridge's creative criticism crucial death distinction Divinity School Address earlier earth echoing edition elegy Emer Emersonian essay eternal Excursion feel final genius Goethe Harold Bloom heart heaven hope human imagination immortality individual influence insists intellectual Intimations Ode intuitive Reason italics added journal entry Kant Keats Laodamia later lecture letter light lines literary live M. H. Abrams Milton mind moral nature never Nietzsche Nietzsche's original pantheism Paradise passage philosophy Plotinus poem poet poetic poetry polarity praise Prelude prose Prospectus quoted Ralph Waldo Emerson readers Romantic Romanticism seems Self-Reliance sense soul spirit stanza sublime things thought Threnody Tintern Abbey tion Transcendentalism Transcendentalists truth understanding universe vision W. B. Yeats Wanderer William William Wordsworth Words Wordsworthian writing Yeats Yeats's