As You Like It: Third SeriesBloomsbury Academic, 25/07/2006 - 472 páginas With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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... later roles of witty fool ( Feste in Twelfth Night , the Fool in King Lear ) seem in part to have been fashioned , others have expressed doubts . ' This edition suggests that Touchstone may originally have been played by Shakespeare's ...
... later roles of witty fool ( Feste in Twelfth Night , the Fool in King Lear ) seem in part to have been fashioned , others have expressed doubts . ' This edition suggests that Touchstone may originally have been played by Shakespeare's ...
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... Later Rosalinds The boy actor in the Elizabethan theatre liberated Shakespeare from many constraints which became obvious the moment women started to play his parts , of which a concern for propriety , partic- ularly in language , is ...
... Later Rosalinds The boy actor in the Elizabethan theatre liberated Shakespeare from many constraints which became obvious the moment women started to play his parts , of which a concern for propriety , partic- ularly in language , is ...
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... later directors routinely altered the order of the scenes in the first three acts , sometimes moving 2.2 back into Act 1 ( as in Thompson , RSC 2003 ) , some- times cutting 2.2 and 3.1 , or replacing the earlier scene with the later one ...
... later directors routinely altered the order of the scenes in the first three acts , sometimes moving 2.2 back into Act 1 ( as in Thompson , RSC 2003 ) , some- times cutting 2.2 and 3.1 , or replacing the earlier scene with the later one ...
Índice
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Direitos de autor | |
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Palavras e frases frequentes
actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young