The warder at his door the key applies, Shoots back the bolt, and all his courage dies; 'Tis more- -'tis God diffus'd through ev'ry part,— 'Tis God himself triumphant in the heart. 3. Joy at a Father's Return. Slowly the melancholy day In cloud and storm pass'd o'er ; Fearful and wild the tall ships lay Off the rude Northumbrian shore; Cowper. 'Mid the thunder's crash, and the lightning's ray, And the dashing ocean's roar. And many a father's heart beat high As he gaz'd upon the ghastly sky, Oh! many a mournful mother wept; The babe, that soft and sweetly slept While every hour that lingering crept, And one upon the couch was laid, Two children sought her side, and played, They listened to the rain. "'Tis a rough sea your father braves!" 'Pray that the Holy Arm that saves, O'er snowy sail and lofty mast The Fisher's children hied; But far as human sight could reach, No boat swept o'er the tide! Still on they watched-and with sweet speech, To banish grief they tried! Long, long they sat-when lo! a light And distant speck was seen, Small as the smallest star of night, When night is most serene! But to the Fisher's boy that sight "It comes!" he cried, "our father's boat! Not there not there still more remote,- Look !-look again !—they nearer float! Four happy, grateful hearts were those The mother half forgot her woes, And kissed and blessed them all! "Praised! praised!" she said, "be He who shows Sweet mercy when we call!" C. Swain. 4. Angels Rejoicing at the Saviour's Birth. For lo! the manger where He lies Hail, Virgin-born! transcendent child! By ages visioned, doomed to be Hail, Prince of Peace! and Lord of Light; R. Montgomery. 5. Ecstacy, or Joy in Heavenly Bliss, O Death! where is my sting? Pope. CHAPTER IV.-Passions, with Mental Distress. Passions of this class frequently involve great poignancy of feeling. In reading, they require those subdued tones which indicate strong mental emotion, and, in general, a predominance of the monotone. They may be represented by Shame, Fear, Grief, Remorse and Despair. (1.) SHAME. 1. Coriolanus, ashamed of Public Praise. No more of this! it doth offend my heart ;Pray now, no more. Your honour's pardon; I had rather have my wounds to heal again, Than hear say how I got them; for oft When blows have made me stay, I fled from words— You soothe not; therefore hurt not:— I had rather have one scratch my head i' the sun, When the alarum were struck, than idly sit Also I beseech you, let me o'erleap the custom Please you Shakspeare. 8. The Shame of Adam and Eve, after their Fall. Now from his presence hid themselves among The thickest trees, both man and wife ;-till God Approaching, thus to Adam call'd aloud: "Where art thou, Adam, wont with joy to meet My coming seen from far? I miss thee here; Come forth." He came, and with him Eve, more loth, though first T' offend,-discountenanc'd both, and discompos'd: Love was not in their looks, either to God Or to each other, but apparent guilt, And shame. Whence Adam falt'ring long, then answer'd brief:- So dreadful to thee? Thou art naked! who 66 "O Heav'n! in evil strait this day I stand Before my Judge, either to undergo Myself the total crime, or to accuse This woman, whom thou mad'st to be my help, G |