Characteristics of Women: Moral, Poetical, and HistoricalHoughton Mifflin, 1900 - 3 páginas |
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Página 5
... sentiment to which the attention is directly required , few like to interrupt the course of thought , or undertake a journey from the sofa or garden - seat to the library , to hunt out the volume , the play , the passage , for ...
... sentiment to which the attention is directly required , few like to interrupt the course of thought , or undertake a journey from the sofa or garden - seat to the library , to hunt out the volume , the play , the passage , for ...
Página 17
... sentiment in Shakspeare , on " the mischievous foul sin of chiding sin . " I remember once hearing a poem of Barry Cornwall's , ( he read it to me , ) about a strange winged creature that , having the lineaments of a man , yet preyed on ...
... sentiment in Shakspeare , on " the mischievous foul sin of chiding sin . " I remember once hearing a poem of Barry Cornwall's , ( he read it to me , ) about a strange winged creature that , having the lineaments of a man , yet preyed on ...
Página 18
... sentiment . MEDON . True - it was ; and I have pleasure in remind- ing you that a female satirist by profession is yet an anomaly in the history of our literature , as a female schismatic is yet unknown in the history of our religion ...
... sentiment . MEDON . True - it was ; and I have pleasure in remind- ing you that a female satirist by profession is yet an anomaly in the history of our literature , as a female schismatic is yet unknown in the history of our religion ...
Página 31
... sentiment , and logic , and poetry , you are making out a very plausible case . I think with you that , in the in- stances you have mentioned , ( as Lady Macbeth and Richard , Juliet , and Othello , and others , ) the want of ...
... sentiment , and logic , and poetry , you are making out a very plausible case . I think with you that , in the in- stances you have mentioned , ( as Lady Macbeth and Richard , Juliet , and Othello , and others , ) the want of ...
Página 34
... sentiments and affections predominate . The historical characters I have considered apart , as requiring a different mode of illustration . Portia I regard as a perfect model of an intellectual woman , in whom wit is tempered by ...
... sentiments and affections predominate . The historical characters I have considered apart , as requiring a different mode of illustration . Portia I regard as a perfect model of an intellectual woman , in whom wit is tempered by ...
Outras edições - Ver tudo
Characteristics of Women, Moral, Poetical, and Historical, Volume 2 Mrs. Jameson (Anna) Visualização integral - 1846 |
Characteristics of Women: Moral, Poetical, and Historical Mrs. Jameson (Anna) Visualização integral - 1879 |
Characteristics of Women: Moral, Poetical, and Historical Mrs. Jameson (Anna) Visualização integral - 1889 |
Palavras e frases frequentes
acter admiration affection ALDA Antigone Antony Beatrice beauty Benedick Bretagne Cæsar Camiola char character charm CHARMIAN CLEOPATRA coloring Constance Cordelia Coriolanus CYMBELINE daughter death delicacy delineation Desdemona dignity dramatic duchy of Bretagne Elinor eloquence exquisite eyes fancy father fear feeling female feminine fond gentle grace grief Hamlet hath heart heaven Helena Hermione honor horror husband Iachimo Iago imagination Imogen impression intellect Isabella Juliet Katherine king Lady Macbeth Lear Leontes lord lover madam Madame de Staël manner marriage MEDON mind Miranda moral mother nature ness never noble Octavia once Ophelia Othello passion Perdita pity placed play Plutarch poetical poetry Portia portrait Posthumus pride queen Romeo Romeo and Juliet Rosalind scene scorn sense sentiment Shak Shakspeare Shakspeare's Shylock simplicity soft soul speak spirit story sweet temper tenderness thee thing thou thought tion tragedy true truth Viola virtue VOLUMNIA whole wife woman women words