Transnational, National, and Personal Voices: New Perspectives on Asian American and Asian Diasporic Women WritersLIT Verlag Münster, 2004 - 259 páginas "The growing heterogeneity of Asian American and Asian diasporic voices has also given rise to variegated theoretical approaches to these literatures. This book attempts to encompass both the increasing awareness of diasporic and transnational issues, and more ""traditional"" analyses of Asian American culture and literature. Thus, the articles in this collection range from investigations into the politics of literary and cinematic representation, to ""digging"" into the past through ""literary archeology"", or analyzing how ""consequential"" bodies can be in recent literature by Asian American and Asian diasporic women writers. The book closes with an interview with critic and writer Shirley Lim, where she insightfully deals with these ""transnational, national, and personal"" issues. Elisabetta Marino is Assistant Professor of English literature at the University of Rome ""Tor Vergata"". Her main fields of interest are Asian American and Asian British literature, children's literature, Italian American literature. Begoña Simal is Assistant Professor of English literature at the Universidade da Coruña, Spain. She has published critical work on both Asian American literature and comparative ""cross-ethnic"" studies. " |
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Resultados 1-5 de 36
Página 17
... archaeology , " the useful critical tool introduced by Michael Foucault : " investigating , analyzing , interpreting and discovering historical memories in order to get below the surface Begoña Simal and Elisabetta Marino 17.
... archaeology , " the useful critical tool introduced by Michael Foucault : " investigating , analyzing , interpreting and discovering historical memories in order to get below the surface Begoña Simal and Elisabetta Marino 17.
Página 18
... memories in order to get below the surface of the past with a poetic imagination . " Lu attempts to go beyond the more common interpretations of these seminal books , critical readings which are usually informed by gender and ethnicity ...
... memories in order to get below the surface of the past with a poetic imagination . " Lu attempts to go beyond the more common interpretations of these seminal books , critical readings which are usually informed by gender and ethnicity ...
Página 25
... that confuse the boundaries between memory , mythology , hearsay , and history - the narrator of The Woman Warrior declares her allegiance to the clearly delineated disciplinary boundaries of her state - sponsored education : " II.
... that confuse the boundaries between memory , mythology , hearsay , and history - the narrator of The Woman Warrior declares her allegiance to the clearly delineated disciplinary boundaries of her state - sponsored education : " II.
Página 27
... memories as strong as the scent of skunk on a chopping block , as ambiguous as the motives of a silent suicide , and as difficult to decipher as a half - understood language in which one can only trace the possibilities of meaning . The ...
... memories as strong as the scent of skunk on a chopping block , as ambiguous as the motives of a silent suicide , and as difficult to decipher as a half - understood language in which one can only trace the possibilities of meaning . The ...
Página 39
... memory is not meant to establish competing claims to an absolute truth , but to show the value of the insights that are articulated through these different recollections . Kingston creates a text that fashions the role of the reader as ...
... memory is not meant to establish competing claims to an absolute truth , but to show the value of the insights that are articulated through these different recollections . Kingston creates a text that fashions the role of the reader as ...
Outras edições - Ver tudo
Transnational, National, and Personal Voices: New Perspectives on Asian ... Elisabetta Marino Visualização de excertos - 2004 |
Palavras e frases frequentes
American writers Amy Tan anorexia argues Asian American Literature Asian American Studies Asian diasporic aunt autobiography become Bobis Bobis's body Brave Orchid canon Cha's Chao characters China Chinese American Chinese Canadian Chinese women cinematic concept context critical critique daughter desire diaspora Dictée Disappearing Moon Café discourse dreams eating English essay ethnic exile experience fantasy father female feminist fiction Filipina American Filipino gender genre Gish Jen global Hundred Secret Senses hunger identity Ifat imagination individual ISBN Jade Peony Kingston Korean language Lee's literary Maxine Hong Kingston Maxine Hong Kingston's Meatless Days Meena Alexander memories multiculturalism narrative narrator narrator's novel one's Orientalism Orientalist perspective Philippine diaspora Philippines political position postcolonial racial readers relation relationship representation Sally Sau-ling sense sexual short stories social structure Suleri talk-story tradition transnational voice Woman Warrior Wong writing York
Passagens conhecidas
Página 119 - The tradition of the oppressed teaches us that the "state of emergency" in which we live is not the exception but the rule.
Página 53 - It is imagined because the members of even the smallest nation will never know most of their fellow-members, meet them or even hear of them, yet in the minds of each lives the image of their communion...
Página 83 - Chinese-Americans, when you try to understand what things in you are Chinese, how do you separate what is peculiar to childhood, to poverty, insanities, one family, your mother who marked your growing with stories, from what is Chinese? What is Chinese tradition and what is the movies?
Página 35 - A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants. Los...
Página 32 - ... three strokes, the middle so straight? Was it out of politeness that this writer left off strokes the way a Chinese has to write her own name small and crooked? No, it was not politeness; "I" is a capital and "you
Página 71 - Don't let your father know that I told you. He denies her. Now that you have started to menstruate, what happened to her could happen to you. Don't humiliate us. You wouldn't like to be forgotten as if you had never been born. The villagers are watchful.
Página 32 - I." The Chinese "I" has seven strokes, intricacies. How could the American "I," assuredly wearing a hat like the Chinese, have only three strokes, the middle so straight?
Página 39 - In fact, it wasn't me my brother told about going to Los Angeles; one of my sisters told me what he'd told her. His version of the story may be better than mine because of its bareness, not twisted into designs.
Página 36 - When my second grade class did a play, the whole class went to the auditorium except the Chinese girls. The teacher, lovely and Hawaiian, should have understood about us, but instead left us behind in the classroom. Our voices were too soft or nonexistent, and our parents never signed the permission slips anyway. They never signed anything unnecessary. We opened the door a crack and peeked out, but closed it again quickly.
Página 67 - Orientalism is the discipline by which the Orient was (and is) approached systematically, as a topic of learning, discovery, and practice. But in addition I have been using the word to designate that collection of dreams, images, and vocabularies available to anyone who has tried to talk about what lies east of the dividing line.