 | 1981 - 350 páginas
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 | 2000 - 650 páginas
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 | M. Keith Booker - 1991 - 310 páginas
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 | Sidonie Smith, Julia Watson - 1992 - 518 páginas
...her eyes as a Chinese-American child for whom writing had hitherto been ideographic. "The Chinese T has seven strokes, intricacies. How could the American...have only three strokes, the middle so straight?" (p. 166). The child's question challenges the sense of self associated in Kingston's memoirs with nonideographic... | |
 | Suzanne Miale Miller, Suzanne M. Miller, Barbara McCaskill - 1993 - 318 páginas
...found out I had to talk that school became a misery, that the silence became a misery.... Reading aloud was easier than speaking because we did not have to...Chinese has to write her own name small and crooked? (Kingston, 1975, pp. 166-167) By juxtaposing two forms of literacy, writing and ideographs, Kingston... | |
 | Thomas J. Ferraro - 1993 - 242 páginas
...eye stared at cultural difference in the form of the two scripts she was being required to master: I could not understand "I." The Chinese "I" has seven...Chinese, have only three strokes, the middle so straight? . . . "I" is a capital and "you" is lower-case. I stared at that middle line and waited so long for... | |
 | Phillip Brian Harper - 1994 - 244 páginas
...first-person-singular pronoun. Directed to read aloud in class, she fumbles, explaining as she recalls her hesitancy, I could not understand "I." The Chinese "I" has seven...Chinese, have only three strokes, the middle so straight? ... I stared at that middle line and waited so long for its black center to resolve into tight strokes... | |
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I." The Chinese "I" has seven strokes, intricacies. How could the American "I," assuredly wearing a hat like the Chinese, have only three strokes, the middle so straight? 
