MichelangeloS. Low, Marston, Searle & Rivington, 1882 - 111 páginas |
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... RAPHAEL . By N. D'ANVERS . TITIAN . By R. F. HEATH , M.A. TINTORETTO . By W. R. Osler . CORREGGIO . * By M. COMPTON HEATON . VELAZQUEZ . By E. STOWE , M.A. MURILLO . * By ELLEN E. MINOR . By W. B. SCOTT . ALBRECHT DÜRER . By R. F. HEATH ...
... RAPHAEL . By N. D'ANVERS . TITIAN . By R. F. HEATH , M.A. TINTORETTO . By W. R. Osler . CORREGGIO . * By M. COMPTON HEATON . VELAZQUEZ . By E. STOWE , M.A. MURILLO . * By ELLEN E. MINOR . By W. B. SCOTT . ALBRECHT DÜRER . By R. F. HEATH ...
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... CHARLES CLEMENT , .6 AUTHOR OF MICHEL - ANGE - LEONARD DA VINCI - RAPHAEL . " LONDON : SAMPSON LOW , MARSTON , SEARLE , & RIVINGTON , CROWN BUILDINGS , FLEET STREET . 3470 SEP 17 1833 W ORE ( All rights reserved. 1882 .
... CHARLES CLEMENT , .6 AUTHOR OF MICHEL - ANGE - LEONARD DA VINCI - RAPHAEL . " LONDON : SAMPSON LOW , MARSTON , SEARLE , & RIVINGTON , CROWN BUILDINGS , FLEET STREET . 3470 SEP 17 1833 W ORE ( All rights reserved. 1882 .
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... Raphael , crown this gigantic monu- ment of human genius . To speak of Art alone , it reaches perfection almost at one bound . Doubtless it would be unjust to pretend that it owes nothing to individuals , and that it came forth from ...
... Raphael , crown this gigantic monu- ment of human genius . To speak of Art alone , it reaches perfection almost at one bound . Doubtless it would be unjust to pretend that it owes nothing to individuals , and that it came forth from ...
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... Raphael , who studied this great work during his stay in Florence from 1506 to 1508 . The most celebrated painters vied with each other in copy- ing it , and San Gallo , according to Vasari , reproduced it in chiaroscuro . This must be ...
... Raphael , who studied this great work during his stay in Florence from 1506 to 1508 . The most celebrated painters vied with each other in copy- ing it , and San Gallo , according to Vasari , reproduced it in chiaroscuro . This must be ...
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... Raphael , when at Siena with Pinturicchio , came to Florence in 1502 to study Michelangelo's work . The car- toon was not begun in 1502. There is , moreover , abundant proof that Raphael did not come to Florence for the first time till ...
... Raphael , when at Siena with Pinturicchio , came to Florence in 1502 to study Michelangelo's work . The car- toon was not begun in 1502. There is , moreover , abundant proof that Raphael did not come to Florence for the first time till ...
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Albrecht Dürer angelo architect artist beauty begged biographer Bologna Bramante brother brought Buonarroti Cardinal Carrara cartoon Casa Buonarroti character Christ Church Clement VII Condivi Daniele da Volterra death Donatello Duke everything executed father feelings figures finished Florence Florentine fortifications Francesco d'Ollanda fresco genius Ghiberti Ghirlandaio Giovansimone Giuliano give Gonfaloniere hand Holiness idea Italy Julius II Kensington Museum Last Judgment Leda Leonardo da Vinci letter live Lodovico MADONNA marble Marshal de Gié master Medici Michel Michelangelo replied months monument Moses nephew painter painting palace Paul Pescara Peter's Piero Pietà Pietro in Vincoli pontificate Pope preserved pupil Raphael Robertet Rome San Gallo San Lorenzo says Condivi says Vasari scaffolding sculptor sent Settignano Signory Sixtine Chapel Soderini soul statue of David thought tomb of Julius Uffizi Urbino utmost Vasari vault Virgin Vittoria Colonna Volterra wanted wrote