MichelangeloS. Low, Marston, Searle & Rivington, 1882 - 111 páginas |
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Página 6
... drawing , and he spent all the time he could steal from his studies in covering the walls of his father's house with sketches . His first attempts were still in existence in the middle of th eighteenth century , and Gori mentions that ...
... drawing , and he spent all the time he could steal from his studies in covering the walls of his father's house with sketches . His first attempts were still in existence in the middle of th eighteenth century , and Gori mentions that ...
Página 7
... draw- ing was firm and vigorous , an evidence of the boy's precocity . Lodovico would not hear of an art which he ... drawings . Michelangelo's persistence at last overcame the prejudices of his father . He entered into an agreement with ...
... draw- ing was firm and vigorous , an evidence of the boy's precocity . Lodovico would not hear of an art which he ... drawings . Michelangelo's persistence at last overcame the prejudices of his father . He entered into an agreement with ...
Página 8
... drawing , of the character of the Virgin's head , of the incomparable beauty of the angels on the right , of certain tricks which Michelangelo never lost , such as making the . feet too small by a refinement of elegance - giving to his ...
... drawing , of the character of the Virgin's head , of the incomparable beauty of the angels on the right , of certain tricks which Michelangelo never lost , such as making the . feet too small by a refinement of elegance - giving to his ...
Página 24
... drawings by Raphael , who studied this great work during his stay in Florence from 1506 to 1508 . The most celebrated painters vied with each other in copy- ing it , and San Gallo , according to Vasari , reproduced it in chiaroscuro ...
... drawings by Raphael , who studied this great work during his stay in Florence from 1506 to 1508 . The most celebrated painters vied with each other in copy- ing it , and San Gallo , according to Vasari , reproduced it in chiaroscuro ...
Página 25
... drawing which so eminently dis- tinguish the young Florentine master . Although Luca Signorelli had already introduced in his Orvietan frescos nude figures of great importance , no painter had as yet approached the human form with that ...
... drawing which so eminently dis- tinguish the young Florentine master . Although Luca Signorelli had already introduced in his Orvietan frescos nude figures of great importance , no painter had as yet approached the human form with that ...
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Palavras e frases frequentes
Albrecht Dürer angelo architect artist beauty begged biographer Bologna Bramante brother brought Buonarroti Cardinal Carrara cartoon Casa Buonarroti character Christ Church Clement VII Condivi Daniele da Volterra death Donatello Duke everything executed father feelings figures finished Florence Florentine fortifications Francesco d'Ollanda fresco genius Ghiberti Ghirlandaio Giovansimone Giuliano give Gonfaloniere hand Holiness idea Italy Julius II Kensington Museum Last Judgment Leda Leonardo da Vinci letter live Lodovico MADONNA marble Marshal de Gié master Medici Michel Michelangelo replied months monument Moses nephew painter painting palace Paul Pescara Peter's Piero Pietà Pietro in Vincoli pontificate Pope preserved pupil Raphael Robertet Rome San Gallo San Lorenzo says Condivi says Vasari scaffolding sculptor sent Settignano Signory Sixtine Chapel Soderini soul statue of David thought tomb of Julius Uffizi Urbino utmost Vasari vault Virgin Vittoria Colonna Volterra wanted wrote