Milton's Epic Voice: The Narrator in Paradise LostHarvard University Press, 1963 - 187 páginas |
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Página xiv
... diction , syntax , and structure of the poem ( although these distinctions are merely conveniences of cri- tical language ) are each explored in separate though often overlapping discussions , but patterns of sound , rhythm , and meter ...
... diction , syntax , and structure of the poem ( although these distinctions are merely conveniences of cri- tical language ) are each explored in separate though often overlapping discussions , but patterns of sound , rhythm , and meter ...
Página 10
... diction and imagery which has sensuous immediacy and particularity , rather than the abstractness and generality of statement , and which conveys its meaning by objectifying it in some con- crete image or object or situation to which ...
... diction and imagery which has sensuous immediacy and particularity , rather than the abstractness and generality of statement , and which conveys its meaning by objectifying it in some con- crete image or object or situation to which ...
Página 93
... diction of Milton's opening invocation . In the first five lines of Paradise Lost which summarize the argument there are a number of important words con- veying both abstract and concrete meanings at the same time . " Fruit " means both ...
... diction of Milton's opening invocation . In the first five lines of Paradise Lost which summarize the argument there are a number of important words con- veying both abstract and concrete meanings at the same time . " Fruit " means both ...
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Palavras e frases frequentes
abstract meanings Adam and Eve Adam's Fall Adam's story adjective allegory allusions angels Areopagitica argument asso associated beauty bird blind bard characters circle comparisons concrete and abstract contrast created creation critical darkness Death described device diction divine dramatic Earth elaborate epic introductions Eve's evoke experience express extended similes fables Faerie Queene fallen reader fallen world familiar feel Fortunate Fall God's guage Heaven Hell heroic illumination illustrate images inner light innocence interpretation invocation language of statement lines loss Lycidas Milton's epic mortal vision narrative voice narrator's nature noun Paradise Lost particular passage pastoral poetry pattern physical poet poetry qualities Raphael rator reality references reminds sacred metaphors Samson Agonistes Satan scene sense shades shape share song speaker speech Spenser's story structure style syntax thee thir thou throughout the poem tion tone tradition true pastoral world truth unfallen unique unity vision words