Problems of the ActorH. Holt, 1918 - 274 páginas |
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Página xv
... Which Blurs or Silhouettes the Faces of the Actors - Natural Lighting - Distracting Lights- Moonlight - Seeking the Impression of Reality , Not Reality Itself . CHAPTER XI . MUSIC AND COSTUMES VERSUS THE ACTOR . CONTENTS XV.
... Which Blurs or Silhouettes the Faces of the Actors - Natural Lighting - Distracting Lights- Moonlight - Seeking the Impression of Reality , Not Reality Itself . CHAPTER XI . MUSIC AND COSTUMES VERSUS THE ACTOR . CONTENTS XV.
Página 18
... face and figure are always helpful . There is a natural temptation to depend too much on one's pres- ence , and to disregard the development of other , more enduring , qualities . I think a reasonably healthy and pleasing appearance is ...
... face and figure are always helpful . There is a natural temptation to depend too much on one's pres- ence , and to disregard the development of other , more enduring , qualities . I think a reasonably healthy and pleasing appearance is ...
Página 62
... face value , and of learning them before I had the remotest idea of the man who spoke them . I have memorized the lines , added to them a certain idealization of my own , and have taken pleasure in spout- ing them for the sake of their ...
... face value , and of learning them before I had the remotest idea of the man who spoke them . I have memorized the lines , added to them a certain idealization of my own , and have taken pleasure in spout- ing them for the sake of their ...
Página 68
... face value is their real value . It is used by the author as a means of quick expo- sition of character , it is a convention granted the author for putting into words the thoughts of his character . And I have actu- ally heard actors ...
... face value is their real value . It is used by the author as a means of quick expo- sition of character , it is a convention granted the author for putting into words the thoughts of his character . And I have actu- ally heard actors ...
Página 83
... face him . But to do this might convey nothing . The audience might very well miss the expression of hatred entirely . I think it is a good plan , in any situation of this kind , to let our eyes seek the man before we turn our head , to ...
... face him . But to do this might convey nothing . The audience might very well miss the expression of hatred entirely . I think it is a good plan , in any situation of this kind , to let our eyes seek the man before we turn our head , to ...
Outras edições - Ver tudo
Problems of the Actor: With an Introd by Clayton Hamilton Louis Calvert Pré-visualização limitada - 2018 |
Palavras e frases frequentes
able actor playing actor's art actress amateur appear art of acting audi audience Barry Sullivan beginning believe Caesar Calvert career character Charlotte Cushman clever comedy costume course craft Cusins Cyrano Cyrano de Bergerac David Warfield doubt dress rehearsal Edwin Booth effect Ellen Terry emotions ence experience express eyes feel forget gesture give Helen Faucit Henry Irving illusion imagination impression Irving Irving's Julius Caesar laugh light lines listen London Macbeth manager matter means merely methods mind natural never night once Othello painted passion performance primary producer profes profession rage realize regard Repertoire Company reply Ristori Romeo and Juliet scene scenery scenic artist seems sense Shakespeare's Shylock simple sion Sir Herbert Tree speak speech stage story striving success suggest sure technique theater thing thought tion tone tried Tumpty voice Wolsey words young actor
Passagens conhecidas
Página 69 - But more for that in low simplicity He lends out money gratis and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him. He hates our sacred nation, and he rails, Even there where merchants most do congregate, On me, my bargains and my well-won thrift, Which he calls interest. Cursed be my tribe, If I forgive him ! BASS.
Página 254 - This castle hath a pleasant seat ; the air Nimbly and sweetly recommends itself Unto our gentle senses. BAN. This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
Página 68 - I hate him for he is a Christian : But more, for that, in low simplicity, He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Página 239 - O, it is excellent To have a giant's strength ; but it is tyrannous To use it like a giant.
Página 51 - I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, : Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Página 56 - Take care of the consonants, the vowels will take care of themselves,
Página 43 - This is a baffling paradox, and one which everyone who takes up stage work seriously is likely to meet sooner or later. As a matter of fact the natural speaking voice is of little or no use on the stage, and neither is the shout. The secret of it is that a man should so train his voice that he has the range, and the pitch that is necessary, but also the technique and the control which enable him to seem to speak naturally.
Página 8 - I do not believe that any great success in any art can be achieved without it. " I say this to the beginners in my profession, and I am sure all the associates in my art, who have honored me with their presence on this occasion, will indorse what I say in this.
Página 236 - Juliet's room by such naturalistic details as a disarranged four-posted bed, or the turning of the key of a locked door at the nurse's entrance, or Romeo's lacing his jerkin, and a dishevelled Juliet in a crepe de chine nightgown. Such details are cheap illustrations and unworthy of a true artist.
Página 134 - ... felt by the actor? It seems to me that all passion must be kept under a certain control and within the pale of art. It is also evident that to maintain this control of necessity grows more difficult as the actor gains in his power to express great passion. ... In the rehearsing we may do in private, it is perhaps well to give way to uncontrolled passion to develop our power of expressing it ; but while acting, we must always remain master of our resources.