 ... felt by the actor? It seems to me that all passion must be kept under a certain control and within the pale of art. It is also evident that to maintain this control of necessity grows more difficult as the actor gains in his power to express great...  Problems of the Actor - Página 134por Louis Calvert - 1918 - 274 páginasVisualização integral - Acerca deste livro
 | Allen Crafton, Jessica Royer - 1926 - 332 páginas
...control of necessity grows more difficult as the actor gains in his power to express great passion ... In the rehearsing we may do in private it is perhaps...to give way to uncontrolled passion to develop our power of expressing it; but while acting we must always remain master of our resources. . . . Ristori... | |
 | Myrtle Elsie Savidge - 1927 - 162 páginas
...control of necessity grows more difficult as the actor gains in his power of expressing great passion In the rehearsing we May do in private, it is perhaps...acting we must always remain master of our resources". 19 Julia Marlowe throws further light on the subject: "Vhat do you understand by great acting? Run... | |
 | Allen Crafton, Jessica Royer - 1928 - 406 páginas
...control of necessity grows more difficult as the actor gains in his power to express great passion. ... In the rehearsing we may do in private, it is perhaps...to give way to uncontrolled passion to develop our power of expressing it ; but while acting, we must always remain master of our resources." l Our own... | |
 | Allen Crafton, Jessica Royer - 1928 - 346 páginas
...rehearsing we may do in private, it is perhaps well to give way to uncontrolled passion to develop our power of expressing it ; but while acting, we must always remain master of our resources." 1 Our own reasoning and experience inform us that since a play is motivated by emotion rather than... | |
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