I see, smell, taste, hear, feel, that everlasting Something to which we are allied, at once our maker, our abode, our destiny, our very Selves; the one historic truth, the most remarkable fact which can become the distinct and uninvited subject of our thought, the actual glory of the universe; the only fact which a human being cannot avoid recognizing, or in some way forget or dispense with.

It doth expand my privacies

To all, and leave me single in the crowd.

I have seen how the foundations of the world are laid, and I have not the least doubt that it will stand a good while.

Now chiefly is my natal hour,
And only now my prime of life.
I will not doubt the love untold,

Which not my worth nor want hath bought,
Which wooed me young and wooes me old,
And to this evening hath me brought.

What are ears? what is Time? that this particular series of sounds called a strain of music, an invisible and fairy troop which never brushed the dew from any mead, can be wafted down through the centuries from Homer to me, and he have been conversant with that same aerial

and mysterious charm which now so tingles my ears? What a fine communication from age to age, of the fairest and noblest thoughts, the aspirations of ancient men, even such as were never communicated by speech, is music! It is the flower of language, thought colored and curved, fluent and flexible, its crystal fountain tinged with the sun's rays, and its purling ripples reflecting the grass and the clouds. A strain of music reminds me of a passage of the Vedas, and I associate with it the idea of infinite remoteness, as well as of beauty and serenity, for to the senses that is farthest from us which addresses the greatest depth within us. It teaches us again and again to trust the remotest and finest as the divinest instinct, and makes a dream our only real experience. We feel a sad cheer when we hear it, perchance because we that hear are not one with that which is heard.

Therefore a torrent of sadness deep

Through the strains of thy triumph is heard to sweep. The sadness is ours. The Indian poet Calidas says in the Sacontala: "Perhaps the sadness of men on seeing beautiful forms and hearing sweet music arises from some faint remembrance of past joys, and the traces of connections in a former state of existence." As polishing expresses the vein in marble, and grain in wood,

so music brings out what of heroic lurks any. where. The hero is the sole patron of music. That harmony which exists naturally between the hero's moods and the universe, the soldier would fain imitate with drum and trumpet. When we are in health, all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn. Marching is when the pulse of the hero beats in unison with the pulse of Nature, and he steps to the measure of the universe; then there is true courage and invincible strength.

Plutarch says that "Plato thinks the gods. never gave men music, the science of melody and harmony, for mere delectation or to tickle the ear; but that the discordant parts of the circulations and beauteous fabric of the soul, and that of it that roves about the body, and many times, for want of tune and air, breaks forth into many extravagances and excesses, might be sweetly recalled and artfully wound up to their former consent and agreement."

Music is the sound of the universal laws promulgated. It is the only assured tone. There are in it such strains as far surpass any man's faith in the loftiness of his destiny. Things are to be learned which it will be worth the while to learn. Formerly I heard these

RUMORS FROM AN EOLIAN HARP.

There is a vale which none hath seen,
Where foot of man has never been,
Such as here lives with toil and strife,
An anxious and a sinful life.

There every virtue has its birth,
Ere it descends upon the earth,
And thither every deed returns,
Which in the generous bosom burns.

There love is warm, and youth is young,

And poetry is yet unsung,

For Virtue still adventures there,

And freely breathes her native air.

And ever, if you hearken well,'

You still may hear its vesper bell,
And tread of high-souled men go by,

Their thoughts conversing with the sky.

According to Jamblichus, "Pythagoras did not procure for himself a thing of this kind through instruments or the voice, but employing a certain ineffable divinity, and which it is difficult to apprehend, he extended his ears and fixed his intellect in the sublime symphonies of the world, he alone hearing and understanding, as it appears, the universal harmony and consonance of the spheres, and the stars that are moved through them, and which produce a fuller and more intense melody than anything effected by mortal sounds."

Traveling on foot very early one morning due east from here about twenty miles, from Caleb Harriman's tavern in Hampstead toward Haverhill, when I reached the railroad in Plaistow, I heard at some distance a faint music in the air like an Æolian harp, which I immediately suspected to proceed from the cord of the telegraph vibrating in the just awakening morning wind, and applying my ear to one of the posts I was convinced that it was so. It was the telegraph harp singing its message through the country, its message sent not by men, but by gods. Perchance, like the statue of Memnon, it resounds only in the morning, when the first rays of the sun fall on it. It was like the first lyre or shell heard on the sea-shore, that vibrating cord high in the air over the shores of earth. So have all things their higher and their lower uses. I heard a fairer news than the journals ever print. It told of things worthy to hear, and worthy of the electric fluid to carry the news of, not of the price of cotton and flour, but it hinted at the price of the world itself and of things which are priceless, of absolute truth and beauty.

Still the drum rolled on, and stirred our blood to fresh extravagance that night. The clarion sound and clang of corselet and buckler were heard from many a hamlet of the soul,