"HENRY V."

ACT I. sc. 2. Westmoreland's speech:

"They know your grace hath cause, and means, and might; So hath your highness; never King of England

Had nobles richer," &c.

Do domains and legal revenue, and "highness" DOES

OES "grace" mean the king's own peculiar domains and

his feudal rights in the military service of his nobles? I have sometimes thought it possible that the words "grace" and "cause" may have been transposed in the copying or printing;

"They know your cause hath grace," &c.

What Theobald meant, I cannot guess. To me his pointing makes the passage still more obscure. Perhaps the lines ought to be recited dramatically thus::

"They know your Grace hath cause, and means, and might:-So hath your Highness-never King of England

Had nobles richer," &c.

He breaks off from the grammar and natural order from earnestness, and in order to give the meaning more passionately.

Ib. Exeter's speech :

"Yet that is but a crush'd necessity."

Perhaps it may be " crash" for " crass from crassus, clumsy; or it may be "curt," defective, imperfect: anything would be better than Warburton's "scus'd," which honest Theobald, of course, adopts. By the by, it seems clear to me that this

speech of Exeter's properly belongs to Canterbury, and was altered by the actors for convenience. Act iv. sc. 3. King Henry's speech :—

"We would not die in that man's company

That fears his fellowship to die with us."

Should it not be "live" in the first line?

Ib. sc. 5.

"Const. O diable!

Orl. O seigneur le jour est perdu, tout est perdu!
Dan. Mort de ma vie! all is confounded, all!
Reproach and everlasting shame

Sit mocking in our plumes!-O meschante fortune!
Do not run away!"

Ludicrous as these introductory scraps of French appear, so instantly followed by good, nervous mother-English, yet they are judicious, and produce the impression which Shakespeare intended,a sudden feeling struck at once on the ears, as well as the eyes, of the audience, that "here come the French, the baffled French braggards!"-And this will appear still more judicious, when we reflect on the scanty apparatus of distinguishing dresses in Shakespeare's tyring-room.

"HENRY VI.-PART I."

ACT I. sc. 1. Bedford's speech:

RE

"Hung be the heavens with black, yield day to night!
Comets, importing change of times and states,
Brandish your crystal tresses in the sky;
And with them scourge the bad revolting stars
That have consented unto Henry's death!
Henry the fifth, too famous to live long!
England ne'er lost a king of so much worth."

DEAD aloud any two or three passages in blank verse even from Shakespeare's earliest dramas, as Love's Labour's Lost, or Romeo and Juliet; and then read in the same way this speech, with especial attention to the metre; and if you do not feel the impossibility of the latter having been written by Shakespeare, all I dare suggest is, that you may have ears, for so has another animal,-but an ear you cannot have, me judice.