Glo. Margaret. 2. Mar. Richard! Glo. Ha 2. Mar. I call thee not. Glo. I cry thee mercy then; for I did think, That thou had'ft call'd me all thefe bitter names. 2. Mar. Why, fo I did; but look'd for no reply. O, let me make the period to my curfe. Glo. "Tis done by me; and ends in-Margaret. Queen. Thus have you breath'd your curse against yourself. 2. Mar. Poor painted queen, vain flourish of my fortune 3! Why ftrew'st thou fugar on that 4 bottled spider, Fool, fool! thou whet'ft a knife to kill thyself. 2. Mar. Foul fhame upon you! you have all mov'd mine. i.e. the ruin and deftruction of honour; which, I fuppofe, was first writ rack, and then further corrupted to rag. WARBURTON. Rag is, in my opinion, right, and intimates that much of his honour is torn away. Patch is, in the fame manner, a contemptuous appellation. JOHNSON. This word of contempt is used again in Timon : "If thou wilt curfe, thy father, that poor rag, Again, in this play: 3 "Thefe over-weening rags of France." STEEVENS. flourish of my fortune!] This expreffion is likewife ufed by Maffinger in the Great Duke of Florence: As flourishings of fortune." STEEVENs. bottled fpider,] A fpider is called bottled, becaufe, like other infects, he has a middle flender and a belly protuberant. Richard's form and venom, make her liken him to a spider. JOHNSON. Riv. Riv. Were you well ferv'd, you would be taught your duty. 2. Mar. To ferve me well, you all should do me duty, Teach me to be your queen, and you my fubjects: O, ferve me well, and teach yourselves that duty. Dorf. Difpute not with her, fhe is lunatic. 2. Mar. Peace, mafter marquis, you are malapert; Your fire-new ftamp of honour is fcarce current: O, that your young nobility could judge, What 'twere to lofe it, and be miferable! They that ftand high, have many blafts to fhake them; And, if they fall, they dafh themfelves to pieces. Glo. Good counfel, marry ;-learn it, learn it, marquis. Dorf. It touches you, my lord, as much as me. Glo. Ay, and much more: But I was born fo high, Our aiery buildeth in the cedar's top, And dallies with the wind, and fcorns the fun." 2. Mar. And turns the fun to fhade;-alas! alas!— Witness my fun, now in the fhade of death; Whofe bright out-fhining beams thy cloudy wrath Hath in eternal darkness folded up. 5 Peace, mafter marquis; you are malapert; &c.] Shakespeare may either allude to the late creation of the marquis of Dorfet, or to the inftitution of the title of marquis here in England, as a special dignity, which was no older than Richard II. Robert Vere, earl of Oxford, was the first, who, as a distinct dignity, received the title of marquis, 1ft December, anno nono Richardi fecundi. See Afhmole's Hiftory of the Order of the Garter, p. 456. GRAY. Peace, mafter marquis, you are malapert;] As near a hundred years had elapfed between the time when the title of marquis was first inftituted in England, and the creation of this Thomas Grey marquis of Dorfet, I think Shakespeare can hardly allude to the institution of the dignity itfelf; much lefs could he call it a fire-new fiamp of honour fearce current. Robert Vere, the first created marquis received this new title, A. D. 1386. Thomas Grey was created marquis of Dorfet, A. D. 1476. PERCY. Your Your aiery buildeth in our aiery's neft:- Buck. Peace, peace, for fhame, if not for charity. 2. Mar. Urge neither charity nor fhame to me; Uncharitably with me have you dealt, And fhamefully by you my hopes are butcher'd. And in my fhame ftill live my forrow's rage! 2. Mar. O princely Buckingham, I'll kifs thy hand, upon And footh the devil that I warn thee from ? him; Your aiery buildeth in our aiery's neft :-] An aiery is a hawk's or an eagle's neft. So, in Green's Card of Fancy, 1608: It is a fubtle bird that breeds among the aiery of hawks." Again, in Heywood's Rape of Lucrece, 1630: "His high-built diery fhall be drown'd in blood." Again, in Maffinger's Maid of Honour : "One aiery, with proportion, ne'er difclofes "The eagle and the wren.' D 2 STEEVENS. O, but O, but remember this another day, When he fhall split thy very heart with forrow; 8 And he to yours, and all of you to God's! [Exit. Queen. I never did her any, to my knowledge. 7 Live each of you the fubjects to his hate, And he to yours, and all of you to God's!] It is evident from the conduct of Shakespeare, that the house of Tudor retained all their Lancaftrian prejudices, even in the reign of queen Elizabeth. In this play of Richard, the Third, he feems to reduce the woes of the house of York from the curfes which queen Margaret had vented against them; and he could not give that weight to her curfes, without fuppofing a right in ⚫her to utter them. WALPOLE. 8 reads: I wonder she's at liberty.] Thus the quarto. The folio I mufe, why fhe's at liberty. STEEVENS. 9 He is frank'd up to fatting for his pains ;-] A frank is an old English word for a bog-fly. 'Tis poffible he ufes this metaphor to Clarence, in allufion to the creft of the family of York, which was a boar, Whereto relate those famous old verses on Richard III: The cat, the rat, and Lovel the dog, He uses the fame metaphor in the laft fcene of act IV. POPE. A frank was not a common hog-ftye, but the pen in which those hogs were confined of whom brawn was to be made. STEEVENS. To To pray for them that have done fcathe to us'. Enter Catesby. Catef. Madam, his majefty doth call for you,And for your grace,—and you, my noble lords. Queen. Catefby, I come :-Lords, will you go with me? Riv. Madam, we will attend your grace. Exeunt all but Glofter. Namely, to Stanley, Haftings, Buckingham; With old odd ends, ftol'n forth of holy writ; Enter two Murderers. But foft, here come my executioners.- -done fcathe to us.] Scathe is harm, mischief. So, in Soliman and Perfeda: Again: "Whom now that paltry island keeps from feath." "Millions of men oppreft with ruin and feath." D 3 STEEVENS. I Mur. |