OTHEL L O. ACT I. SCENE-a Street in Venice. Enter RODORIGO and IAGO. Rodorigo. Never tell me, I take it much unkindly, (1) OTHELLO. Though I would not be understood to assert that all the plays of Shakspeare are to be explained by a reference to appearances in the moon, yet, lest it should be thought that the coincidences pointed out between those appearances and the plays contained in the second volume, ought to be attributed to accident rather than design; before other matters are entered upon towards the end of this volume, I shall offer an elucidation of two more of his plays, Othello, and the Merchant of Venice, by the same method as before; and the reader is requested to keep the two former volumes at his side, as the figures contained therein will be often referred to, and sometimes the notes. (1) Rodorigo has the same original as Hudibras, with whose figure in the moon the reader must be now weli acquainted. In the dramatis personæ of the folio edition. Rodorigo is called a gulled gentleman, and if the shadows composing his person are viewed horizontally with his head on the right hand, they will be seen to resemble a gull, as drawn in fig. 76. That thou Iago, who hast had my purse, If ever I did dream of such a matter, abhor me. [thy hate. Non-suits my mediators. Certes, says he, And what was he? Forsooth, a great arithmetician, (3) (2) lago is the same as Hudibras's Squire, Ralpho: his countenance in the map of the moon is well worthy of having such a character as Iago's engrafted on it; his prototype is, in fact, often in this play, as well as in those of the second volume, assimilated to the devil. (3) A great arithmetician. Cassio is the same as Laertes in Hamlet, drawn ante in fig. 57; and it may be seen in the map of the moon, (as frequently observed in former notes,) that divers arithmetical figures, or what faney may easily take to be such, are marked on his person there. One Michael Cassio; -(the Florentine's A fellow almost damn'd in a fair wife;)- More than a spinster; (4) but the bookish theoric, And I, (5) (God bless the mark!) his Moorship's ancient. (6) (4) More than a spinster. This expression is referable to the streaks of light mentioned in the last note as marked on Cassio's person, which (among many other things) may be likened to a distaff with wool on it. (5) Ancient, or ensign-bearer. Iago, on inspecting the map, may be easily conceived to be executing such an office; the colours, in light, being considered as either furled round, or spread from, what constituted the blade of Hudibras's sword, as the flag-staff. (6) His Moorship. Othello is the same as Hamlet's father in the play of that name, drawn in fig. 60. His face, by its flat nose, and from its being composed princi Rod. By Heaven, I would have rather been his hangman. (7) Iago. But there's no remedy, 'tis curse of serPreferment goes by letter and affection, [vice; And flot by old gradation, where each second Stood heir to the first. Now, Sir, be judge yourIf I in any just term am assigned To love the Moor. -Rod. I would not follow him then. Iago. O Sir, content you; I follow him to serve my turn upon him. [self pally of dark shadows, resembles that of a negro. He is drawn in Fig. 98. (7) The streaks of light mentioned above in notes 3 and 4, may be easily fancied to resemble a rope round Cassio's neck. We cannot all be masters, nor all masters (8) Whipme such honest knaves-Others there are, coats, Do themselves homage. These folks have some And such a one do I profess myself. It is as sure as you are Rodorigo, Were I the Moor, I would not be Iago: (8) Ass and whip. Whenever objects are mentioned, of which drawings have been already given or notes made in the former volumes, and when the objects themselves are plainly and obviously perceptible in the moon, it is hoped that the printing the lines or words that mention them in italics will serve as a sufficient reference for the reader's guidance. |