Comedy: An Introduction to Comedy in Literature, Drama, and CinemaOxford University Press, 1990 - 197 páginas From Plautus, Cervantes, and Dickens to Evelyn Waugh, Joseph Heller, and Tom Stoppard, from A Midsummer Night's Dream to Arsenic and Old Lace and Woody Allen, this concise and readable book provides a thorough introduction to comic criticism. Nelson shows that there are significant recurring patterns of comedy both in the classics and in more popular and commercial works. He discusses such themes as the link between comedy and carnival, the apparent obsession of modern writers with linguistic comedy, and the dilemma of feminists faced with traditional comedy that is largely sexist in nature. |
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Página 8
... audience laugh with relief when the danger is ended . But some members of the audience , those who have been least successful in mastering this particular fear , may find it impossible to laugh . Kris cites Hobbes , who saw laughter as ...
... audience laugh with relief when the danger is ended . But some members of the audience , those who have been least successful in mastering this particular fear , may find it impossible to laugh . Kris cites Hobbes , who saw laughter as ...
Página 50
... audience is indulged , both at the beginning and end of the film , with a resplendent wedding . True , we are not invited to share a feeling of celebration : the bridegroom's first sight of the well - dressed , well - greased ...
... audience is indulged , both at the beginning and end of the film , with a resplendent wedding . True , we are not invited to share a feeling of celebration : the bridegroom's first sight of the well - dressed , well - greased ...
Página 128
... audience's feeling of superiority . The ability to see a double meaning depends on the hearer's fluency in a particular tongue : the less fluent speaker becomes , by contrast , an object of ridicule . Pleasure in superiority is also ...
... audience's feeling of superiority . The ability to see a double meaning depends on the hearer's fluency in a particular tongue : the less fluent speaker becomes , by contrast , an object of ridicule . Pleasure in superiority is also ...
Índice
Laughter | 1 |
Comedy and Related Forms | 19 |
Marriage | 41 |
Direitos de autor | |
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Comedy: An Introduction to Comedy in Literature, Drama, and Cinema T. G. A. Nelson Visualização de excertos - 1990 |
Palavras e frases frequentes
absurdist accept actor admiration Aristophanes audience baby beginning Bergson Calandrino called carnival century chapter Charles Mauron child childhood comedy commedia dell'arte critic dead death deceits Don Quixote drama dupe elements enjoy essay everyday example fantasy farce father feel superior festive fiction figure film folly fool Giles Goat-Boy Grace Quigley Gravity's Rainbow harmony hero Huck human humour husband incongruity Ionesco Jaroslav Hašek jokes Jonson's Joyboy Kenwigs kind King language later laugh laughter literary live London lover marriage marry means Menander metafictional modern nature never Northrop Frye philosophers Pickwick Plautus play plot Pourceaugnac protagonist psychic release readers reality ridiculous rogue role Sartre satire scene seems sense sexual Shakespeare's shows social Soldier Švejk speech Stardust Memories Stoppard's story suggests Švejk theory tion tragedy tragic trickery trickster turn Umberto Eco victim villains Volpone wife woman word writing Yossarian young