After the Heavenly Tune: English Poetry and the Aspiration to SongDuquesne University Press, 2000 - 418 páginas After the Heavenly Tune offers an expansive answer to the basic question central to the history of poetry and poetics: what do poets mean when they write "I sing?" Berley's chapters on Shakespeare and Milton unfold the remarkable development of these two "speculative musical poetics" who are central to the history of English poetry. And in his last two chapters on romanticism and modernism, he draws an intriguing line from Wordsworth to Stevens, in which the aspiration to song becomes a dazzling means of exploring, scrutinizing, and redefining the burdens and achievements--poetic, philosophical, social, and personal--for individual poets in their times. After the Heavenly Tune offers not only groundbreaking studies of The Merchant of Venice and Milton's theory of prophecy, but also compelling new readings of classical and medieval literary theory, the burdens of romanticism, and the resolutions of modernism. This work will appeal to a broad audience: Renaissance, classical, and romantic literary scholars; philosophers; musicologists; theologians; and general readers interested in English poetry and Literary Studies. |
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Página 42
... speak what is pleasing to the gods , " Aristotle is concerned with a speaker's ability to per- suade his " fellow men . " Socrates ' assertion that one must attempt first to achieve knowledge of the truth and only then to speak it ...
... speak what is pleasing to the gods , " Aristotle is concerned with a speaker's ability to per- suade his " fellow men . " Socrates ' assertion that one must attempt first to achieve knowledge of the truth and only then to speak it ...
Página 173
... speak to His Englishmen . But with equal vigor Milton scrutinizes his authority to speak . At his " moment " in history and time , whatever the deferred status of his inspiration , Milton has quickly to lead his country on a timely ...
... speak to His Englishmen . But with equal vigor Milton scrutinizes his authority to speak . At his " moment " in history and time , whatever the deferred status of his inspiration , Milton has quickly to lead his country on a timely ...
Página 264
... speak . " Whatever one's willingness to sus- pend disbelief , one cannot forget that the urn is praised pre- cisely because it is " silent form . " Yet at the end of the ode the urn must not merely be beautiful but also define beauty ...
... speak . " Whatever one's willingness to sus- pend disbelief , one cannot forget that the urn is praised pre- cisely because it is " silent form . " Yet at the end of the ode the urn must not merely be beautiful but also define beauty ...
Índice
ONE Platos True Musician and the Trope | 27 |
Beyond Aristotelian Praxis | 36 |
Platonic SelfRule and Neoplatonic Frenzy | 45 |
Direitos de autor | |
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Palavras e frases frequentes
ability achieve Adorno ancient cycle Aristotle aspiration to song assert become Blake Blue Guitar Christian claim to song conception conceptual metaphor condition of music confront desire discord divine inspiration Donoghue early poems earthly ennobling Harmony Ficino God's hear heaven heavenly tune Hesiod Homer human Il Penseroso imagination Jessica John Keats John Milton Keats Keats's Kerrigan L'Allegro language lative Lorenzo Lorenzo's speech M. H. Abrams Maimonides means Merchant Merchant of Venice merriment merry metaphor Milton mind modern Muses nature Neoplatonic Nightingale one's Oxford Penseroso Phaedrus philosophic Plato play poet poet's poetic song Portia practical music Prelude Princeton prophecy prophetic Pythagoras reattuning relationship Renaissance rhetorical romantic says Shakespeare Shelley Shylock Sidney silence sing singer Socrates soul sounds speak speculative music Stevens Stevens's sweet theory things thou thought tion trans trope of song truth Vendler verse voice Wallace Stevens words Wordsworth writes Yeats York