Rome, in the Nineteenth Century: Containing a Complete Account of the Ruins of the Ancient City, the Remains of the Middle Ages, and the Monuments of Modern Times, Volume 3A. Constable and Company, 1820 |
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Página 7
... charm , and destroys at once truth , nature , and con- sistency . Domenichino's three landscapes are interest- ing and original . This artist , Titian , and Rubens , have proved to us , in their works , that they could have been great ...
... charm , and destroys at once truth , nature , and con- sistency . Domenichino's three landscapes are interest- ing and original . This artist , Titian , and Rubens , have proved to us , in their works , that they could have been great ...
Página 9
... charm about them that fascinates you before them , and makes you gaze upon them with unwearied delight . The very Antipodes of the works of Giorgione or Titian , are the cold , lifeless productions of Sas- so Ferrato , the Roman Carlo ...
... charm about them that fascinates you before them , and makes you gaze upon them with unwearied delight . The very Antipodes of the works of Giorgione or Titian , are the cold , lifeless productions of Sas- so Ferrato , the Roman Carlo ...
Página 13
... charm , which no palace , however splendid , could ever have possessed of itself . Among the statues that adorn this gallery there are none worth notice except an ancient Diana , and a small female figure reclining on her arm , -an ex ...
... charm , which no palace , however splendid , could ever have possessed of itself . Among the statues that adorn this gallery there are none worth notice except an ancient Diana , and a small female figure reclining on her arm , -an ex ...
Página 14
... charms the eye , through all the injuries it has sus- tained . There are a great many of Orizonti's landscapes ; some of them much superior to any of his I ever saw before . But there is all the difference between the worst of Claude ...
... charms the eye , through all the injuries it has sus- tained . There are a great many of Orizonti's landscapes ; some of them much superior to any of his I ever saw before . But there is all the difference between the worst of Claude ...
Página 30
... charm the heart of a stoic ; and the contrast of her youth and enchanting loveliness , with the abandonment of grief , the resignation of all earth- ly hope , and the entire devotion of herself to pe- nitence and to heaven , is so ...
... charm the heart of a stoic ; and the contrast of her youth and enchanting loveliness , with the abandonment of grief , the resignation of all earth- ly hope , and the entire devotion of herself to pe- nitence and to heaven , is so ...
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Rome, in the Nineteenth Century: Containing a Complete Account of ..., Volume 3 Charlotte Anne Eaton Visualização integral - 1820 |
Palavras e frases frequentes
admiration adorned Agostino Caracci altar amusement ancient Angelo Annibale Caracci artists baths of Constantine beautiful Borghese called Canova Caracci Cardinal Casino certainly Chapel charm Christ church colouring composition convent Corso crowded Domenichino dressed English expression eyes female figure finest Florence French frescos friends gallery gardens genius Gesù Giulio Romano grace grand ground Guercino Guido hand head heard heaven hill Holy hour immense Italian Italy ladies landscape light live look Madonna Magdalen magnificent marble masks ment Naples nature never Nicolas Poussin noble nuns painter painting palace Palazzo PALAZZO ROSPIGLIOSI perhaps Pietro Perugino Pompey Pope portrait priests Prince Quirinal Hill racter Raphael robes Roman Rome rooms ruins saint scarcely scene sculpture seems seen sepulchre Sistine Chapel spirit St Peter's statue style taste Temple thing tion Titian tomb Villa Villa Ludovisi walls whole young
Passagens conhecidas
Página iii - ROME in the NINETEENTH CENTURY. Containing a complete Account of the Ruins of the Ancient City, the Remains of the Middle Ages, and the Monuments of Modern Times.
Página 420 - O'er the hush'd deep the yellow beam he throws Gilds the green wave, that trembles as it glows. On old /Egina's rock, and Idra's isle, The god of gladness sheds his parting smile; O'er his own regions lingering, loves to shine, Though there his altars are no more divine.
Página 131 - Bishops were also set with prepious stones ; and their splendid dresses, and long wavy beards of silver whiteness, gave them a most venerable and imposing appearance. The procession issued forth into the Sala Borgia, (the hall behind the Sistine Chapel,) and marched round it, forming nearly a circle ; for by the time the Pope had...
Página 140 - Tavola : the thirteen priests were seated in a row at the table, which was spread with a variety of dishes, and adorned with a profusion of flowers. The pope gave the blessing, and walking along the side of the table opposite to them, handed each of them bread, then plates, and lastly, cups of wine. They regularly all rose up to receive what he presented ; and the pope having gone through the forms of service, and given them his parting benediction, left them to finish their dinner in peace. •...
Página 139 - They were all dressed in loose white gowns, with white caps on their heads, and clean woollen stockings, and were seated in a row along the wall, under a canopy. When the Pope entered and took...
Página 163 - ... trumpet, from the farther end of the church. A long band of priests advanced, loaded with still augmenting magnificence, as they ascended to the higher orders. Cloth of gold and embroidery of gold and silver, and crimson velvet, and mantles of spotted ermine, and flowing trains, and attendant train-bearers, and mitres, and crucifixes glittering with jewels, and priests, and patriarchs, and bishops, and cardinals, dazzled our astonished eyes, and filled the long length of St.
Página 131 - ... marched round it, forming nearly a circle, for by the time the pope had got out, the leaders of the procession had nearly got back again ; but they found the gates of the chapel closed against them, and...
Página 342 - This beautiful temple," observes a recent traveller, " which stands on the very spot where the eye of taste would have placed it, and on which it ever reposes with delight, is one of the most attractive features of the scene, and perhaps gives to Tivoli its greatest charm."— ("Rome in the Nineteenth Century,
Página 85 - Above the heads of the heavenly coursers hovers the morning star, in the form of a youthful cherub, bearing his flaming torch. Nothing is more admirable in this beautiful composition than the motion given to the whole. The smooth and rapid step of the circling Hours as they tread on the fleecy clouds; the fiery steeds ; the whirling wheels of the car ; the torch of Lucifer, blown back by the velocity of his advance ; and the form of Aurora borne through the ambient air till you almost fear she should...
Página 156 - Dofolado's letters. ness, painted with images of the virgin and Christ, which had previously been blessed, was set upright in the vase; more Latin prayers were mumbled — one of the Jews was brought, the bishop cut the sign of the cross in the hair, at the crown of his head, then, with a silver ladle, poured some of the water upon the part, baptizing him in the usual forms, both the godfathers and he having agreed to all that was required of them.