The Neo-classic Theory of Tragedy in England During the Eighteenth CenturyHarvard University Press, 1934 - 245 páginas |
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Página 29
Clarence Corleon Green. I 2 drama as jarring with the effect of the preceding tragic trilogy . The Middle Ages , as in The Killing of Abel , were especially prone to mingle the comic and tragic . And Elizabethan tragedy , in Sidney's ...
Clarence Corleon Green. I 2 drama as jarring with the effect of the preceding tragic trilogy . The Middle Ages , as in The Killing of Abel , were especially prone to mingle the comic and tragic . And Elizabethan tragedy , in Sidney's ...
Página 52
... tragic medium died with the seventeenth century , and blank verse and prose took its place . From this review of neo - classic tragic theory three con- clusions are obvious . The first is that the theory was not purely Aristotelian ...
... tragic medium died with the seventeenth century , and blank verse and prose took its place . From this review of neo - classic tragic theory three con- clusions are obvious . The first is that the theory was not purely Aristotelian ...
Página 53
... tragic figure . Because it jars upon the tragic mood , the comic scene , of course , should also be excluded from tragedy . The principal " mechanic rules " of the stage consist of the three unities and the liaison des scènes . The ...
... tragic figure . Because it jars upon the tragic mood , the comic scene , of course , should also be excluded from tragedy . The principal " mechanic rules " of the stage consist of the three unities and the liaison des scènes . The ...
Outras edições - Ver tudo
The Neo-classic Theory of Tragedy in England During the Eighteenth Century Clarence Corleon Green Visualização de excertos - 1934 |
The Neo-classic Theory of Tragedy in England During the Eighteenth Century Clarence Corleon Green Visualização de excertos - 1966 |
The Neo-classic Theory of Tragedy in England During the Eighteenth Century Clarence Corleon Green Visualização de excertos - 1934 |
Palavras e frases frequentes
absurd Addison admiration Alexander Gerard ancient Aristotle Art of Poetry audience beautiful believe Belles Lettres bound with Zoraida characters chorus comic Commentary Illustrating Compare Complete Art Cuthbert Constable delusion Dennis Dryden Durham eighteenth century Elements of Criticism emotions English Essay on Criticism fable fancy French George Colman Gildon hero Hugh Blair Hurd Illustrating the Poetic imagination imitation instructive John Penn Johnson on Shakespeare Joseph Warton judgment Lectures on Rhetoric Leonard Welsted London means mind modern Monthly Review nature neo-classic neo-classic rule neo-classicist object Observations on Tragedy opinion passions pity play pleasure poet poetic justice Poetic of Aristotle Preface to Shakespeare Prose rationalistic reason representation Rhetoric and Belles Rowe's Shakespeare 2nd rules Rymer says scene sense Shaftesbury Smith Spectator stage taste theatre theory thing thought three unities tion tragi-comedy tragic true truth unity of place William Hodson William Shakespear word writers Writings and Genius wrote
Referências a este livro
A Student's Guide to British Literature: A Selective Bibliography of 4,128 ... Aliki Lafkidou Dick Pré-visualização indisponível - 1972 |
Die Racine-Kritik bis 1800: Kritikgeschichte als Funktionsgeschichte Wolfgang Theile Visualização de excertos - 1974 |