Characters of Shakespear's PlaysJ.M. Dent & Company, 1912 - 275 páginas |
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Página xx
... , or a rose is beautiful ; for that their name and definition imply . But he would no more be able to give the description of Dover cliff in Lear , or the description of flowers in The Winter's Tale , than to XX Preface.
... , or a rose is beautiful ; for that their name and definition imply . But he would no more be able to give the description of Dover cliff in Lear , or the description of flowers in The Winter's Tale , than to XX Preface.
Página xxiv
... LEAR 118 RICHARD II . 137 HENRY IV . 145 HENRY V. 156 HENRY VI . RICHARD III . 165 173 As You LIKE IT HENRY VIII . KING JOHN TWELFTH NIGHT ; OR , WHAT YOU WILL THE TWO GENTLEMEN OF VERONA THE MERCHANT OF VENICE THE WINTER'S TALE • ALL'S ...
... LEAR 118 RICHARD II . 137 HENRY IV . 145 HENRY V. 156 HENRY VI . RICHARD III . 165 173 As You LIKE IT HENRY VIII . KING JOHN TWELFTH NIGHT ; OR , WHAT YOU WILL THE TWO GENTLEMEN OF VERONA THE MERCHANT OF VENICE THE WINTER'S TALE • ALL'S ...
Página 2
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
Página 12
... Lear , Othello and Hamlet , are usually reckoned Shakespear's four principal tra- gedies . Lear stands first for the profound intensity of the passion ; MACBETH for the wildness of the imagination and the rapidity of the action ...
... Lear , Othello and Hamlet , are usually reckoned Shakespear's four principal tra- gedies . Lear stands first for the profound intensity of the passion ; MACBETH for the wildness of the imagination and the rapidity of the action ...
Página 33
... Lear is indeed more dreadful and over- powering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions described in Mac- beth . The interest in Hamlet is more remote and ...
... Lear is indeed more dreadful and over- powering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions described in Mac- beth . The interest in Hamlet is more remote and ...
Outras edições - Ver tudo
Characters of Shakespear's Plays, & Lectures on the English Poets William Hazlitt Visualização integral - 1903 |
Palavras e frases frequentes
acter admirable affections answer Antony Apemantus appear banished Banquo beauty blood Bolingbroke breath Brutus Cæsar Caliban Cassius char character circumstances Claudio comedy comic Cordelia Coriolanus critic CYMBELINE daughter death Desdemona Dost thou doth dramatic eyes Falstaff father fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity pleasure poet poetry Prince Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shakespear shew Sir Toby sleep soul speak speech spirit story striking sweet tender thee things thou art thought Titus Andronicus tongue tragedy true truth unto W. E. Henley wife words youth