GEORGE WITHER. ticular-have helped to popularise Wither, by frequent quotation and eulogy; but Mr Ellis, in his Specimens of Early English Poets, was the first to point out that playful fancy, pure taste, and GEORGE WITHER (1588-1667) was a voluminous artless delicacy of sentiment, which distinguish author, in the midst of disasters and sufferings the poetry of his early youth.' His poem on that would have damped the spirit of any but the Christmas affords a lively picture of the manners most adventurous and untiring enthusiast. Some of the times. His Address to Poetry, the sole of his happiest strains were composed in prison; yet cheering companion of his prison solitude, is his limbs were incarcerated within stone walls and worthy of the theme, and superior to most of the iron bars, but his fancy was among the hills and effusions of that period. The pleasure with which plains, with shepherds hunting, or loitering with he recounts the various charms and the 'divine Poesy by rustling boughs and murmuring springs. skill' of his Muse, that had derived nourishment There is a freshness and natural vivacity in the and delight from the 'meanest objects' of external poetry of Wither, that renders his early works a nature-a daisy, a bush, or a tree; and which, perpetual feast.' We cannot say that it is a feast when these picturesque and beloved scenes of the where no crude surfeit reigns, for he is often country were denied him, could gladden even the harsh, obscure, and affected; but he has an endless vaults and shades of a prison, is one of the richest diversity of style and subjects, and true poetical offerings that have yet been made to the pure and feeling and expression. Wither was a native of hallowed shrine of poesy. The superiority of inHampshire, and received his education at Mag-tellectual pursuits over the gratifications of sense, dalen College, Oxford. He first appeared as an author in the year 1613, when he published a satire, entitled Abuses Stript and Whipt. For this he was thrown into the Marshalsea, where he composed his fine poem, the Shepherds Hunting. When the abuses satirised by the poet had accumulated and brought on the Civil War, Wither took the popular side, and sold his paternal estate to raise a troop of horse for the parliament. He rose to the rank of a major, and in 1642, was made governor of Farnham Castle, afterwards held by Denham. Wither was accused of deserting his appointment, and the castle was ceded the same year to Sir William Waller. During the struggles of that period, the poet was made prisoner by the royalists, and stood in danger of capital punishment, when Denham interfered for his brotherbard, alleging, that as long as Wither lived, he (Denham) would not be considered the worst poet in England. The joke was a good one, if it saved Wither's life; but George was not frightened from the perilous contentions of the times. He was afterwards one of Cromwell's majors-general, and kept watch and ward over the royalists of Surrey. From the sequestrated estates of these gentlemen, Wither obtained a considerable fortune; but the Restoration came, and he was stripped of all his possessions. He remonstrated loudly and angrily; his remonstrances were voted libels, and the unlucky poet was again thrown into prison. He published various treatises, satires, and poems during this period, though he was treated with great rigour. He was released, under bond for good behaviour, in 1663, and survived nearly four years afterwards, dying in London on the 2d of May 1667. Wither's fame as a poet is derived chiefly from his early productions, written before he had imbibed the sectarian gloom of the Puritans, or become embroiled in the struggles of the Civil War. A collection of his poems was published by himself in 1622, with the title, Mistress of Philarete; his Shepherds Hunting, being certain eclogues written during the time of the author's imprisonment in the Marshalsea, appeared in 1633. His Collection of Emblems, Ancient and Modern, quickened with Metrical Illustrations, made their appearance in 1635. His satirical and controversial works were numerous, but are now forgotten. Some authors of our own day-Southey in par and all the malice of fortune, has never been more touchingly or finely illustrated. The Companionship of the Muse. From the Shepherds' Hunting. With detraction's breath and thee: As that sun doth oft exhale Gross conceits from muddy brains; And though for her sake I'm crost, 235 For, though banished from my flocks, And consume the sullen night, With those sweets the spring-tide yields, That more makes than mends my grief: (Whence she would be driven, too, She could more infuse in me, Than all Nature's beauties can By her help I also now Make this churlish place allow Some things that may sweeten gladness, The dull loneness, the black shade, She hath taught me by her might Poesy, thou sweet'st content That e'er Heaven to mortals lent: thee, cannot Though thou be to them a scorn, That to nought but earth are born, Let my life no longer be Than I am in love with thee! conceive Though our wise ones call it madness, And though some, too seeming holy, Sonnet upon a Stolen Kiss. Now gentle sleep hath closed up those eyes Oh! she may wake, and therewith angry grow! The Steadfast Shepherd. Hence away, thou Syren; leave me. No common snare Can ever my affection chain: Are all bestowed on me in vain. I'm no slave to such as you be; Thy beauty's ray To some more soon enamoured swain : Those common wiles, Of sighs and smiles, Are all bestowed on me in vain. I have elsewhere vowed a duty; Where gaudy clothes And feigned oaths may love obtain: Whose look swears no, Which on every breast are worn; On her sweet breast, Thy mermaid song Is all bestowed on me in vain. He's a fool that basely dallies Where each peasant mates with him : Shall I haunt the thronged valleys, Whilst there's noble hills to climb? No, no, though clowns I know the best can but disdain: Be all bestowed on me in vain. I do scorn to vow a duty, Where each lustful lad may woo; Give me her whose sunlike beauty Buzzards dare not soar unto : POETS. She, she it is Affords that bliss, For which I would refuse no pain; Fond fools, adieu, You seek to captive me in vain. Leave me, then, thou Syren, leave me ; Who am proof against your charms : To lead astray The heart, that constant shall remain ; And I the while Will sit and smile To see you spend your time in vain. Christmas. So now is come our joyfulest feast; Now all our neighbours' chimneys smoke, Now every lad is wondrous trim, A bagpipe and a tabour; Young men and maids, and girls and boys, Rank misers now do sparing shun; And dogs thence with whole shoulders run, Ned Squash hath fetched his bands from pawn, Brisk Nell hath bought a ruff of lawn With dropping of the barrel. And those that hardly all the year Will have both clothes and dainty fare, Now poor men to the justices With capons They plague them with their warrants: But now they feed them with good cheer, And what they want they take in beer, For Christmas comes but once a year, And then they shall be merry. Good farmers in the country nurse There the roysters they do play, Drab and dice their lands away, Which may be ours another day, And therefore let's be merry. The client now his suit forbears, Hark! now the wags abroad do call For nuts and apples scrambling. The wenches with their wassail bowls Our honest neighbours come by flocks, Now kings and queens poor sheepcotes have, The honest now may play the knave, We say our hearts are great, and cannot yield; A noble heart doth teach a virtuous scorn. To scorn to owe a duty over-long ; To scorn to be for benefits forborne ; To scorn to lie; to scorn to do a wrong; To scorn to bear an injury in mind; To scorn a free-born heart slave-like to bind. But if for wrongs we needs revenge must have, Then be our vengeance of the noblest kind; Do we his body from our fury save, And let our hate prevail against our mind? What can 'gainst him a greater vengeance be, Than make his foe more worthy far than he? Had Mariam scorned to leave a due unpaid, She would to Herod then have paid her love, And not have been by sullen passion swayed. To fix her thoughts all injury above Is virtuous pride. Had Mariam thus been proud, Long famous life to her had been allowed. BISHOP CORBET. RICHARD CORBET (1582-1635) was the son of a man who, though only a gardener, must have possessed superior qualities, as he obtained the hearty commendations, in verse, of Ben Jonson. The son was educated at Westminster and Oxford, and having taken orders, he became successively bishop of Oxford and bishop of Norwich. The social qualities of witty Bishop Corbet, and his never-failing vivacity, joined to a moderate share of dislike to the Puritans, recommended him to the patronage of King James, by whom he was raised to the mitre. His habits were rather too convivial for the dignity of his office, if we may credit some of the anecdotes which have been related of him. Meeting a ballad-singer one market-day at Abingdon, and the man complaining that he could get no custom, the jolly doctor put off his gown, and arrayed himself in the leathern jacket of the itinerant vocalist, and being a handsome man, with a clear full voice, he presently vended the stock of ballads. One time, as he was confirming, the country people pressing in to see the ceremony, Corbet exclaimed: 'Bear off there, or I'll confirm ye with my staff.' The bishop and his chaplain, Dr Lushington, it is said, would sometimes repair to the wine-cellar together, and Corbet used to put off his episcopal hood, saying: "There lies the doctor;' then he put off his gown, saying: 'There lies the bishop;' then the toast went round: 'Here's to thee, Corbet;' 'Here's to thee, Lushington.' Jovialities like these seem more like the feats of the jolly Friar of Copmanhurst than the acts of a Protestant bishop: but Corbet had higher qualities; his toleration, solid sense, and lively talents procured him deserved esteem and respect. His poems were first collected and published in 1647. They are of a miscellaneous character, the best known being a Journey to France, written in a light easy strain of descriptive humour. The Farewell to the Fairies is equally lively, and more poetical. To Vincent Corbet, his Son. What I shall leave thee, none can tell, Nor too much wealth nor wit come to thee, I wish thee all thy mother's graces, From the 'Journey to France. I went from England into France, But I to Paris rode along, I on an ambling nag did get- And spurred him on each side. The man that shews them snufflesWhere who is apt for to believe, May see our Lady's right-arm sleeve, And cke her old pantofles; But since of late Elizabeth, There's one saint there hath lost his nose : Another 's head, but not his toes, His elbow and his thumb. But when that we had seen the rags, We came to Paris on the Seine; There many strange things are to see, The Place Royal doth excel : For learning, th' University; The house the queen did build. The Bastile, and Saint Denis Street, But if you'll see the prettiest thing, He is, of all his dukes and peers, Farewell to the Fairies. Farewell rewards and fairies, Good housewives now may say, For now foul sluts in dairies Do fare as well as they. And though they sweep their hearths no less Yet who of late, for cleanliness, Lament, lament, old abbeys, The fairies lost command; They did but change priests' babies, But some have changed your land; And all your children sprung from thence Are now grown Puritans; Who live as changelings ever since, For love of your domains. At morning and at evening both, When Tom came home from labour, Witness those rings and roundelays * Louis XIII, And later, James came in, By which we note the fairies Their mirth, was punished sure; WILLIAM HABINGTON, WILLIAM HABINGTON (1605-1645) had all the vices of the metaphysical school, excepting its occasional and frequently studied licentiousness. He tells us himself (in his preface), that if the innocency of a chaste muse shall be more acceptable, and weigh heavier in the balance of esteem, than a fame begot in adultery of study, I doubt I shall leave no hope of competition.' And of a pure attachment, he says finely, that 'when Love builds upon the rock of Chastity, it may safely contemn the battery of the waves and threatenings of the wind; since Time, that makes a mockery of the firmest structures, shall itself be ruinated before that be demolished.' Habington's life presents few incidents, though he came of a plotting family. His father was implicated in Babington's conspiracy; his uncle suffered death for his share in the same transaction. The poet's mother atoned, in some measure, for these disloyal intrigues; for she is said to have been the writer of the famous letter to Lord Monteagle, which averted the execution of the Gunpowder Plot. The poet was educated at St Omer's, but declined to become a Jesuit. He married Lucia, daughter of the first Lord Powis, whom he had celebrated under the name of Castara. His collected poems -also entitled Castara-were published in 1634 (second edition, 1635); the volume consisting of the Mistress, the Wife, and the Holy Man. These titles include each several copies of verses, and the same design was afterwards adopted by Cowley. The short life of the poet seems to have glided quietly away, cheered by the society and affection of his Castara. He had no stormy passions to agitate him, and no unruly imagination to control or subdue. His poetry is of the same unruffled description-placid, tender, and often elegant, but studded with conceits to shew his wit and fancy. When he talks of meadows wearing a 'green plush,' of the fire of mutual love being able to purify the air of an infected city, and of a luxurious feast being so rich that heaven must have rained showers of sweetmeats, as if Heaven were Blackfriars, and each star a confectioner we are astonished to find one who could ridicule the 'madness of quaint oaths,' and the 'fine |