Reflecting Senses: Perception and Appearance in Literature, Culture and the ArtsWalter Pape, Frederick Burwick Walter de Gruyter, 13/10/2011 - 375 páginas No detailed description available for "Reflecting Senses". |
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... Verbal Representation in Eighteenth and Nineteenth Century Literature 1 15 33 53 HELMUT J. SCHNEIDER The Staging of the Gaze : Aesthetic Illusion and the Scene of Nature in the Eighteenth Century . 77 WALTER PAPE " Die Sinne triegen ...
... Verbal Representation in Eighteenth and Nineteenth Century Literature 1 15 33 53 HELMUT J. SCHNEIDER The Staging of the Gaze : Aesthetic Illusion and the Scene of Nature in the Eighteenth Century . 77 WALTER PAPE " Die Sinne triegen ...
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... verbal or visual representation . The continuing influence of Nietzsche's critique of language has effec- tively undermined every contemporary effort to argue a similarity between signs and objects ; nature can no longer be regarded as ...
... verbal or visual representation . The continuing influence of Nietzsche's critique of language has effec- tively undermined every contemporary effort to argue a similarity between signs and objects ; nature can no longer be regarded as ...
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... verbal arts , hidebound in the meaning of words and the regimen of syntax , seemed to confront even greater impediments than the visual arts in seeking to escape the bondage of mimesis as defined by eigh- teenth - century critics . Thus ...
... verbal arts , hidebound in the meaning of words and the regimen of syntax , seemed to confront even greater impediments than the visual arts in seeking to escape the bondage of mimesis as defined by eigh- teenth - century critics . Thus ...
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... verbal arts . Music , that is , may generate solipsistic doubles or multiples . What is referred to or what is expressed is contained within the musical work itself . A sound having one apparent musical function or struc- tural meaning ...
... verbal arts . Music , that is , may generate solipsistic doubles or multiples . What is referred to or what is expressed is contained within the musical work itself . A sound having one apparent musical function or struc- tural meaning ...
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... verbal material is printed in different directions , then the map is not given an orien- tation by the verbal material . Many maps contain pictorial elements that help to identify features in the environment . If all of the pictorial ...
... verbal material is printed in different directions , then the map is not given an orien- tation by the verbal material . Many maps contain pictorial elements that help to identify features in the environment . If all of the pictorial ...
Índice
1 | |
13 | |
15 | |
33 | |
53 | |
Visual Perception and Verbal Representation in Eighteenth and Nineteenth Century Literature | 75 |
Aesthetic Illusion and the Scene of Nature in the Eighteenth Century | 77 |
Perception and Landscape in Classical Goethe | 96 |
Apparatus and the Experimental Aesthetics of Imposture | 223 |
Structural Illusions in Music | 250 |
The Movement from Exterior to Interior Illusions in Dance | 264 |
Visual Metaphors and Textual Shadows | 277 |
An Illusion of Reference | 279 |
Real Shadows and Textual Shadows Real Texts and Shadow Texts | 301 |
Bibliography | 315 |
Secondary Sources | 326 |
Wordsworth and Coleridge | 122 |
Wordsworth Coleridge and Illusion | 141 |
Wordsworths Real Illusions | 160 |
Sensory and Illusory Effects in Art Music and Dance | 187 |
Appearance Concept and Cultural Myth | 189 |
Notes on Contributors | 343 |
List of Illustrations | 349 |
Index | 353 |
Outras edições - Ver tudo
Reflecting Senses: Perception and Appearance in Literature, Culture, and the ... Walter Pape,Frederick Burwick Pré-visualização limitada - 1995 |
Palavras e frases frequentes
abstract Addison aesthetic antecedents appearance architecture art history artist ballet beautiful Beckford Biographia Literaria Burwick camera obscura classical cognitive Coleridge Collected Works vol concept context Criticism dance dancer Diderot dramatic eighteenth century elements Encyclopédie environment essay example experience fiction Figure Fiorillo fragments genre Goethe Goethe's gothic architecture human pronouns Ibid imagination imitation jellyfish John Hamilton Mortimer Kant Lady Morgan Lakes landscape language literary London map-user Masaniello mean metaphor mimesis mimetic mind modern movement natural sign nature object objectivist objectivist framework optical painters painting Paul Mellon perceived perception Philosophy pictorial picture poem poet Poetical Works vol poetry postmodern Prelude present pronoun choice pronouns reality refer reflection representation represented Romantic Saint Peter's Salvator Rosa scene sense shadow sight spectator station point structural illusions Study theory Tintern Abbey tion verbal vision visual Werke Weimarer Ausgabe Werther Wigman words Wordsworth