Your Speaking VoiceGriffin-Patterson Company, 1938 - 313 páginas |
No interior do livro
Resultados 1-3 de 29
Página 164
... lips closed . Feel the nose , lips , and tip of the nose vibrating . Touch the fingers lightly to the bridge of the nose and feel the vibration . [ 2 ] Set the whole mask of the face vibrating on the hummed m - m - m - m , then open the ...
... lips closed . Feel the nose , lips , and tip of the nose vibrating . Touch the fingers lightly to the bridge of the nose and feel the vibration . [ 2 ] Set the whole mask of the face vibrating on the hummed m - m - m - m , then open the ...
Página 198
... lips : lips that are active ; lips that will shape them- selves around the word and give it clear - cut distinctness . The third necessity is an active , responsive tongue . A tongue which will press against the palate , or lightly ...
... lips : lips that are active ; lips that will shape them- selves around the word and give it clear - cut distinctness . The third necessity is an active , responsive tongue . A tongue which will press against the palate , or lightly ...
Página 203
... LIP FLEXIBILITY The lips must be flexible , relaxed , and active . Sometimes , in the effort to be distinct , learners draw their lips back rigidly from their teeth , in a manner which is not only unaesthetic to see , but inadvisable ...
... LIP FLEXIBILITY The lips must be flexible , relaxed , and active . Sometimes , in the effort to be distinct , learners draw their lips back rigidly from their teeth , in a manner which is not only unaesthetic to see , but inadvisable ...
Índice
What a Good Voice Can Do For You | 11 |
Body Mind and Voice Including Sections | 23 |
Avoiding Vocal Monotony Including Sections | 56 |
Direitos de autor | |
14 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought throat tion tone production tongue vibration vocal cords volume vowels William Jennings Bryan wind words young