Your Speaking VoiceGriffin-Patterson Company, 1938 - 313 páginas |
No interior do livro
Resultados 1-3 de 10
Página 76
... pause , and quite likely a shorter one after " heard " ; so that the sentence , if charted according to rate changes , would appear somewhat as follows ... PAUSE The speaker who does not employ pause loses one 76 YOUR SPEAKING VOICE.
... pause , and quite likely a shorter one after " heard " ; so that the sentence , if charted according to rate changes , would appear somewhat as follows ... PAUSE The speaker who does not employ pause loses one 76 YOUR SPEAKING VOICE.
Página 77
Harrison M. Karr. PAUSE The speaker who does not employ pause loses one of his potentially most useful instruments of vocal expression . In ordinary speech , the pause is comparable to the paragraph and chapter indentations of print ...
Harrison M. Karr. PAUSE The speaker who does not employ pause loses one of his potentially most useful instruments of vocal expression . In ordinary speech , the pause is comparable to the paragraph and chapter indentations of print ...
Página 78
... PAUSE VS. HESITATION Careful distinction should be made between pause and hesi- tation . Pause is strength ; hesitation is weakness . And do not think that the audience does not recognize the difference . Even if the dreadful ah's and ...
... PAUSE VS. HESITATION Careful distinction should be made between pause and hesi- tation . Pause is strength ; hesitation is weakness . And do not think that the audience does not recognize the difference . Even if the dreadful ah's and ...
Índice
What a Good Voice Can Do For You | 11 |
Body Mind and Voice Including Sections | 23 |
Avoiding Vocal Monotony Including Sections | 56 |
Direitos de autor | |
14 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought throat tion tone production tongue vibration vocal cords volume vowels William Jennings Bryan wind words young