Your Speaking VoiceGriffin-Patterson Company, 1938 - 313 páginas |
No interior do livro
Resultados 1-3 de 50
Página 134
... singing voice . W. A. Aiken , M.D. , quotes Pacchierotti , a noted singer of the eighteenth century thus : " He who knows how to speak and to breathe , knows how to sing . " 1 And P. Mario Marafioti , M.D. , goes even farther : " Singing ...
... singing voice . W. A. Aiken , M.D. , quotes Pacchierotti , a noted singer of the eighteenth century thus : " He who knows how to speak and to breathe , knows how to sing . " 1 And P. Mario Marafioti , M.D. , goes even farther : " Singing ...
Página 135
... singing is a fine art , while speaking is primarily a practical art . Singing exists for its esthetic quality ; but speak- ing , in most situations , is a tool for getting a desired result . Along with painting and sculpture , singing ...
... singing is a fine art , while speaking is primarily a practical art . Singing exists for its esthetic quality ; but speak- ing , in most situations , is a tool for getting a desired result . Along with painting and sculpture , singing ...
Página 263
... sing , and you will learn more in an hour than a great many instructors can give you in a lifetime . " About the only way to tell a bad teacher from a good one is through your common sense . If he makes singing a mysterious process , if ...
... sing , and you will learn more in an hour than a great many instructors can give you in a lifetime . " About the only way to tell a bad teacher from a good one is through your common sense . If he makes singing a mysterious process , if ...
Índice
What a Good Voice Can Do For You | 11 |
Body Mind and Voice Including Sections | 23 |
Avoiding Vocal Monotony Including Sections | 56 |
Direitos de autor | |
14 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought throat tion tone production tongue vibration vocal cords volume vowels William Jennings Bryan wind words young