Your Speaking VoiceGriffin-Patterson Company, 1938 - 313 páginas |
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Página 138
... sounds of the A and AH . The only danger inherent in the exercise lies in the possibility of the N becoming a too purely nasal sound with the result that the following A and AH have a nasal quality . This can be avoided by concentrating ...
... sounds of the A and AH . The only danger inherent in the exercise lies in the possibility of the N becoming a too purely nasal sound with the result that the following A and AH have a nasal quality . This can be avoided by concentrating ...
Página 157
... sound ( the physicist calls it intensity ) is achieved . It will also be noted that the quality of the sound changes materi- ally in response to the changing shapes of the mouth , even though neither the method nor the rate of striking ...
... sound ( the physicist calls it intensity ) is achieved . It will also be noted that the quality of the sound changes materi- ally in response to the changing shapes of the mouth , even though neither the method nor the rate of striking ...
Página 158
... sound is strengthened . ( b ) Press the heavy end of the vibrating fork against a wooden table and note how the sound wells out . ( c ) Hold the vibrating fork over an empty tumbler . The chances are that you may get very little , if ...
... sound is strengthened . ( b ) Press the heavy end of the vibrating fork against a wooden table and note how the sound wells out . ( c ) Hold the vibrating fork over an empty tumbler . The chances are that you may get very little , if ...
Índice
What a Good Voice Can Do For You | 11 |
Body Mind and Voice Including Sections | 23 |
Avoiding Vocal Monotony Including Sections | 56 |
Direitos de autor | |
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Palavras e frases frequentes
American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought throat tion tone production tongue vibration vocal cords volume vowels William Jennings Bryan wind words young