Your Speaking VoiceGriffin-Patterson Company, 1938 - 313 páginas |
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Página 57
... STAGE FRIGHT Before an audience rigidity becomes most conspicuous rigidity through fear . Stage fright is its name - a condi- tion so common that it is practically universal . Like young love , nearly everyone who gets it thinks that he ...
... STAGE FRIGHT Before an audience rigidity becomes most conspicuous rigidity through fear . Stage fright is its name - a condi- tion so common that it is practically universal . Like young love , nearly everyone who gets it thinks that he ...
Página 60
... STAGE FRIGHT Let it be understood by every novice that it is not natural for the normal person to be rigid and motionless on the platform- unless he is throttled by fear . And the best corrective for the distressful condition called stage ...
... STAGE FRIGHT Let it be understood by every novice that it is not natural for the normal person to be rigid and motionless on the platform- unless he is throttled by fear . And the best corrective for the distressful condition called stage ...
Página 231
... stage fright , and it hits high and low alike , famous and obscure indiscriminately . Also it plays the same tricks to body and voice as does stage fright ; and it yields to the same remedy , namely , physical activity . ( p . 60 ) In ...
... stage fright , and it hits high and low alike , famous and obscure indiscriminately . Also it plays the same tricks to body and voice as does stage fright ; and it yields to the same remedy , namely , physical activity . ( p . 60 ) In ...
Índice
What a Good Voice Can Do For You | 11 |
Body Mind and Voice Including Sections | 23 |
Avoiding Vocal Monotony Including Sections | 56 |
Direitos de autor | |
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Palavras e frases frequentes
American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought throat tion tone production tongue vibration vocal cords volume vowels William Jennings Bryan wind words young